Browse code
(init)
Ed Langley authored on 21/09/2018 06:39:38Showing 54 changed files
- .gitignore
- BackCover.pages
- Backup of MassBooklet.pages/Contents/PkgInfo
- Backup of MassBooklet.pages/QuickLook/Thumbnail.jpg
- Backup of MassBooklet.pages/buildVersionHistory.plist
- Backup of MassBooklet.pages/index.xml.gz
- CoverPhoro.afphoto
- CoverPhoto.png
- MMB-1.tex
- MMB.tex
- MaryT_Mass_Booklet-cover.pages/Contents/PkgInfo
- MaryT_Mass_Booklet-cover.pages/CoverPhoto-1.png
- MaryT_Mass_Booklet-cover.pages/QuickLook/Thumbnail.jpg
- MaryT_Mass_Booklet-cover.pages/buildVersionHistory.plist
- MaryT_Mass_Booklet-cover.pages/index.xml.gz
- MaryT_Mass_Booklet-cover.pages/thumbs/PageCapThumbV2-1.tiff
- MaryT_Mass_Booklet-old.pages/Contents/PkgInfo
- MaryT_Mass_Booklet-old.pages/CoverPhoto.png
- MaryT_Mass_Booklet-old.pages/QuickLook/Thumbnail.jpg
- MaryT_Mass_Booklet-old.pages/buildVersionHistory.plist
- MaryT_Mass_Booklet-old.pages/index.xml.gz
- MaryT_Mass_Booklet-old.pages/thumbs/PageCapThumbV2-1.tiff
- MassBooklet.pages/Contents/PkgInfo
- MassBooklet.pages/QuickLook/Thumbnail.jpg
- MassBooklet.pages/buildVersionHistory.plist
- MassBooklet.pages/index.xml.gz
- Sweetheart.pages
- Untitled.afphoto
- Untitled1.afphoto
- awayinamanger.tex
- awayinamanger/awayinamanger.ly
- awayinamanger/awayinamanger.lytex
- creed/creed.tex
- ep1/ep1.tex
- josephdearest.tex
- josephdearest/josephdearest.ly
- josephdearest/josephdearest.lytex
- josephdearest/josephdearest.tex
- main.tex
- makeall.sh
- new.tex/79/lily-8f884b10.ly
- new.tex/79/lily-8f884b10.txt
- new.tex/tmpkuHQ9B.pdf
- offertory/off.tex
- silentnight.tex
- silentnight/silentnight.ly
- silentnight/silentnight.lytex
- sweetheart/Untitled.pages
- sweetheart/sweetheart.ly
- threeships.lytex
- threeships.lytex.full
- threeships.tex
- tomorrowmydancingday/tomorrowmydancingday.ly
- vows/vows.tex
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+ |
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+% Will Robertson's fontspec.sty can be used to simplify font choices. |
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+% and change "Hoefler Text" to any of these choices. |
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+ |
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+ |
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+ |
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+\newcommand{\hlh}{Hans Leo Hassler (1564--1612)}
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+ |
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+ |
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+ |
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+ |
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+ |
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+ \AwysResponse{%
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+ \IfLanguageName{english}{The Lord be with You.}{El Señor estén con todos ustedes.}}}
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+ |
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+ |
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+ |
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+\newcommand{\choir}[2]{Choir:\hspace{1em}\songtitle{#1}{#2}}
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+\newcommand{\hymn}[3]{Hymn:\hspace{1em}\songtitle{#1}{#2}}
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+ |
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+ |
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+\begin{document}
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+ |
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+\includepdf[pages={1}]{MaryT_Mass_Booklet-cover.pdf}
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+\cleardoublepage |
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+\includepdf[pages={3}]{MaryT_Mass_Booklet-cover.pdf}
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+ |
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+\section*{Order Of Mass}
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+\subsection*{processional}
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+ |
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+\songtitle{Joseph Dearest, Joseph Mine}{Traditional (15th Century)}
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+\input{josephdearest.tex}
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+ |
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+\subsection*{Entrance of the Bride}
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+ |
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+\choir{Sans Day Carol}{Traditional (19th Century)}
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+ |
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+\subsection*{Entrance Rite}
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+\begin{paracol}{2}
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+ |
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+\amenResponse{In the name of the Father, and of the Son, and of the Holy Spirit.}
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+\switchcolumn |
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+ |
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+\begin{spanish}
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+\amenResponse{En el nombre del Padre, y del Hijo y del Espíritu Santo.}
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+\end{spanish}
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+\switchcolumn* |
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+ |
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+\awys |
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+ |
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+\end{paracol}
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+ |
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+\Needspace{5\baselineskip}
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+\subsection*{Penitential Rite}
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+ |
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+\begin{paracol}{2}
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+\priest{Brethren (brothers and sisters), let us acknowledge
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+our sins, and so prepare ourselves to celebrate the sacred mysteries.} |
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+\switchcolumn |
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+ |
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+\begin{spanish}
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+\textspanish{Hermanos: para celebrar dignamente estos sagrados misterios, reconozcamos nuestros pecados.}
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+\end{spanish}
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+ |
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+\switchcolumn* |
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+ |
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+\end{paracol}
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+\bigskip |
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+\begin{paracol}{2}
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+ |
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+\begin{People}
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+%\begin{verse}[\textwidth]
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+\abnormalparskip{0pt}
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+\trLines{I confess to almighty God}{Yo confieso ante Dios todopoderoso}
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+\trLines{And to you, my brothers and sisters,}{Y ante ustedes, hermanos,}
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+\trLines{That I have greatly sinned,}{Que he pecado mucho}
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+\trLinesLast{In my thoughts and in my words,}{De pensamiento, palabra, obra y omisión.}
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+\switchcolumn |
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+In what I have done \\ |
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+And in what I have failed to do,\switchcolumn\switchcolumn* |
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+\trLines{Through my fault, through my fault,}{Por mi culpa, por mi culpa,}
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+\trLines{Through my most grievous fault;}{Por mi gran culpa.}
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+\trLines{Therefore I ask blessed Mary ever-Virgin,}{Por eso ruego a santa María, siempre Virgen,}
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+\trLines{All the Angels and Saints,}{A los ángeles, a los santos}
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+\trLines{And you, my brothers and sisters,}{Y a ustedes, hermanos,}
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+\trLinesLast{To pray for me to the Lord our God.}%
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+{Que intercedan por mí ante Dios, nuestro Señor.}
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+\nonzeroparskip |
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+%\end{verse}
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+\end{People}
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+\switchcolumn* |
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+ |
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+\end{paracol}
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+\bigskip |
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+\begin{paracol}{2}
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+\ensurevspace{8\baselineskip}
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+\amenResponse{May almighty God have mercy on us, forgive us our sins,
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+and bring us to everlasting life.} |
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+\switchcolumn |
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+ |
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+\textspanish{%
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+\amenResponse{Dios todopoderoso tenga misericordia de nosotros, perdone nuestros pecados y nos lleve a la vida eterna.}}
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+\end{paracol}
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+ |
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+\choir{Kyrie}{\hlh}
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+%\choir{Gloria}{\hlh}
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+ |
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+%\Needspace{6\baselineskip}
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+\clearpage{}
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+\subsection*{The Liturgy of the Word}
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+ |
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+\begin{paracol}{2}[\subsubsection*{First Reading %
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+ \eattr{Jonathan Teichert}{Father of the Bride}}]
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+ |
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+%\RaggedRight |
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+\citetext{Tobit}{8}{4b}{8}
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+On their wedding night Tobiah arose from bed and said to his wife, “Sister, get up. Let us pray and beg our Lord to have mercy on us and to grant us deliverance.” Sarah got up, and they started to pray and beg that deliverance might be theirs. They began with these words: “Blessed are you, O God of our fathers; praised be your name forever and ever. Let the heavens and all your creation praise you forever. You made Adam and you gave him his wife Eve to be his help and support; and from these two the human race descended. You said, ‘It is not good for the man to be alone; let us make him a partner like himself.’ |
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+\switchcolumn |
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+ |
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+\begin{spanish}
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+\citetext{Tobías}{8}{5}{10}
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+La noche de su boda, Tobías se levantó y le dijo a Sara: “¡Levántate, hermana! Supliquemos al Señor, nuestro Dios, que tenga misericordia de nosotros y nos proteja”. Se levantó Sara y comenzaron a suplicar al Señor que los protegiera, diciendo: “Bendito seas, Dios de nuestros padres y bendito sea tu nombre por los siglos de los siglos. Que te bendigan los cielos y todas tus creaturas por los siglos de los siglos. Tú creaste a Adán y le diste a Eva como ayuda y apoyo, y de ambos procede todo el género humano. Tú dijiste: ‘No es bueno que el hombre esté solo. Voy a hacer a alguien como él, para que lo ayude’”. |
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+\end{spanish}
|
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+ |
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+\switchcolumn* |
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+ |
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+Now, Lord, you know that I take this wife of mine not because of lust, but for a noble purpose. Call down your mercy on me and on her, and allow us to live together to a happy old age.” They said together, “Amen, amen.” |
|
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+\switchcolumn |
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+ |
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+\begin{spanish}
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+“Ahora, Señor, si yo tomo por esposa a esta hermana mía, no es por satisfacer mis pasiones, sino por un fin honesto. Compadécete, Señor, de ella y de mí y haz que los dos juntos vivamos felices hasta la veje”. |
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+\end{spanish}
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+\switchcolumn* |
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+ |
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+\ensurevspace{3\baselineskip}
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+\lectorResponsePair{The word of the Lord.}{Thanks be to God.}
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+\switchcolumn |
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+ |
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+\begin{spanish}
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+\lectorResponsePair{Palabra de Dios.}{Te alabamos, Señor.}
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+\end{spanish}
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+\end{paracol}
|
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+ |
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+\begin{paracol}{2}[\subsubsection*{Responsorial Psalm \eattr{Daniel Grimm}{}}]
|
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+ |
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+\citetext{Psalms}{34}{2}{9}
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+\switchcolumn |
|
| 273 |
+ |
|
| 274 |
+\citetext{Salmo}{34}{2}{9}
|
|
| 275 |
+\switchcolumn* |
|
| 276 |
+ |
|
| 277 |
+\people{Taste and see the goodness of the Lord.}
|
|
| 278 |
+\switchcolumn |
|
| 279 |
+ |
|
| 280 |
+\textspanish{\people{Gusten y vean qué bueno es el Señor.}}
|
|
| 281 |
+\switchcolumn* |
|
| 282 |
+ |
|
| 283 |
+I will bless the Lord at all times; \\ |
|
| 284 |
+his praise shall be ever in my mouth. \\ |
|
| 285 |
+Let my soul glory in the Lord; \\ |
|
| 286 |
+the lowly will hear me and be glad. |
|
| 287 |
+\switchcolumn |
|
| 288 |
+ |
|
| 289 |
+\begin{spanish}
|
|
| 290 |
+Bendigo al Señor en todo momento, \\ |
|
| 291 |
+Su alabanza está siempre en mi boca; \\ |
|
| 292 |
+Mi alma se gloría en el Señor: \\ |
|
| 293 |
+Que los humildes lo escuchen y se alegren. |
|
| 294 |
+\end{spanish}
|
|
| 295 |
+\switchcolumn* |
|
| 296 |
+ |
|
| 297 |
+\people{Taste and see the goodness of the Lord.}
|
|
| 298 |
+\switchcolumn |
|
| 299 |
+ |
|
| 300 |
+\textspanish{\people{Gusten y vean qué bueno es el Señor.}}
|
|
| 301 |
+\switchcolumn* |
|
| 302 |
+ |
|
| 303 |
+Glorify the Lord with me, \\ |
|
| 304 |
+let us together extol his name. \\ |
|
| 305 |
+I sought the Lord, and he answered me \\ |
|
| 306 |
+and delivered me from all my fears. |
|
| 307 |
+\switchcolumn |
|
| 308 |
+ |
|
| 309 |
+\begin{spanish}
|
|
| 310 |
+Proclamen conmigo la grandeza del Señor, \\ |
|
| 311 |
+Ensalcemos juntos su nombre. \\ |
|
| 312 |
+Yo consulté al Señor, y me respondió \\ |
|
| 313 |
+me libró de todas mis ansias. |
|
| 314 |
+\end{spanish}
|
|
| 315 |
+\switchcolumn* |
|
| 316 |
+ |
|
| 317 |
+\people{Taste and see the goodness of the Lord.}
|
|
| 318 |
+\switchcolumn |
|
| 319 |
+ |
|
| 320 |
+\textspanish{\people{Gusten y vean qué bueno es el Señor.}}
|
|
| 321 |
+\switchcolumn* |
|
| 322 |
+ |
|
| 323 |
+Look to him that you may be radiant with joy, \\ |
|
| 324 |
+and your faces may not blush with shame. \\ |
|
| 325 |
+When the poor one called out, the Lord heard, \\ |
|
| 326 |
+and from all his distress he saved him. |
|
| 327 |
+\switchcolumn |
|
| 328 |
+ |
|
| 329 |
+\begin{spanish}
|
|
| 330 |
+Contémplenlo, y quedarán radiantes, \\ |
|
| 331 |
+Su rostro no se avergonzará. \\ |
|
| 332 |
+Si el afligido invoca al Señor, él lo escucha \\ |
|
| 333 |
+Y lo salva de sus angustias. |
|
| 334 |
+\end{spanish}
|
|
| 335 |
+\switchcolumn* |
|
| 336 |
+ |
|
| 337 |
+\people{Taste and see the goodness of the Lord.}
|
|
| 338 |
+\switchcolumn |
|
| 339 |
+ |
|
| 340 |
+\textspanish{\people{Gusten y vean qué bueno es el Señor.}}
|
|
| 341 |
+\switchcolumn* |
|
| 342 |
+ |
|
| 343 |
+The angel of the Lord encamps \\ |
|
| 344 |
+around those who fear him, and delivers them. \\ |
|
| 345 |
+Taste and see how good the Lord is; \\ |
|
| 346 |
+blessed the man who takes refuge in him. |
|
| 347 |
+\switchcolumn |
|
| 348 |
+ |
|
| 349 |
+\begin{spanish}
|
|
| 350 |
+El ángel del Señor acampa \\ |
|
| 351 |
+En torno a sus fieles y los protege. \\ |
|
| 352 |
+Gusten y vean qué bueno es el Señor, \\ |
|
| 353 |
+dichoso el que se acoge a él. |
|
| 354 |
+ |
|
| 355 |
+\end{spanish}
|
|
| 356 |
+\switchcolumn* |
|
| 357 |
+ |
|
| 358 |
+\people{Taste and see the goodness of the Lord.}
|
|
| 359 |
+\switchcolumn |
|
| 360 |
+ |
|
| 361 |
+\textspanish{\people{Gusten y vean qué bueno es el Señor.}}
|
|
| 362 |
+\switchcolumn* |
|
| 363 |
+ |
|
| 364 |
+\end{paracol}
|
|
| 365 |
+\subsubsection*{Second Reading \eattr{Eduardo José Pulido}{Father of the Groom}}
|
|
| 366 |
+ |
|
| 367 |
+\begin{paracol}{2}
|
|
| 368 |
+%\RaggedRight |
|
| 369 |
+ |
|
| 370 |
+\citetext{1\ John}{3}{18}{24}
|
|
| 371 |
+Children, let us love not in word or speech but in deed and truth. Now this is how we shall know that we belong to the truth and reassure our hearts before him in whatever our hearts condemn, for God is greater than our hearts and knows everything. |
|
| 372 |
+\switchcolumn |
|
| 373 |
+ |
|
| 374 |
+\begin{spanish}
|
|
| 375 |
+\citetext{1\ Juan}{3}{18}{24}
|
|
| 376 |
+Hijos míos: No amemos solamente de palabra; amemos de verdad y con las obras. En esto conoceremos que somos de la verdad y delante de Dios tranquilizaremos nuestra conciencia del cualquier cosa que ella nos reprochare, porque Dios es más grande que nuestra conciencia y todo lo conoce. |
|
| 377 |
+\end{spanish}
|
|
| 378 |
+\switchcolumn* |
|
| 379 |
+ |
|
| 380 |
+Beloved, if our hearts do not condemn us, we have confidence in God and receive from him whatever we ask, because we keep his commandments and do what pleases him. |
|
| 381 |
+\switchcolumn |
|
| 382 |
+ |
|
| 383 |
+\begin{spanish}
|
|
| 384 |
+Si nuestra conciencia nos remuerde, entonces, hermanos míos, nuestra confianza en Dios es total. Puesto que cumplimos los mandamientos de Dios y hacemos lo que le agrada, ciertamente obtendremos de él todo lo que le pidamos. |
|
| 385 |
+\end{spanish}
|
|
| 386 |
+\switchcolumn* |
|
| 387 |
+ |
|
| 388 |
+And his commandment is this: we should believe in the name of his Son, Jesus Christ, and love one another just as he commanded us. |
|
| 389 |
+\switchcolumn |
|
| 390 |
+ |
|
| 391 |
+\begin{spanish}
|
|
| 392 |
+Ahora bien, éste es su mandamiento: que creamos en la persona de Jesucristo, su Hijo y nos amemos los unos a los otros, conforme al precepto que nos dio. |
|
| 393 |
+\end{spanish}
|
|
| 394 |
+\switchcolumn* |
|
| 395 |
+ |
|
| 396 |
+\begin{spanish}
|
|
| 397 |
+Those who keep his commandments remain in him, and he in them, and the way we know that he remains in us is from the Spirit that he gave us. |
|
| 398 |
+\end{spanish}
|
|
| 399 |
+\switchcolumn |
|
| 400 |
+ |
|
| 401 |
+\begin{spanish}
|
|
| 402 |
+Quien cumple sus mandamientos permanece en Dios y Dios en él. En esto conocemos,por el Espíritu que él nos ha dado, que él permanece en nosotros. |
|
| 403 |
+\end{spanish}
|
|
| 404 |
+\switchcolumn* |
|
| 405 |
+ |
|
| 406 |
+\lectorResponsePair{The word of the Lord.}{Thanks be to God.}
|
|
| 407 |
+\switchcolumn |
|
| 408 |
+ |
|
| 409 |
+\begin{spanish}
|
|
| 410 |
+\lectorResponsePair{Palabra de Dios.}{Te alabamos, Señor.}
|
|
| 411 |
+\end{spanish}
|
|
| 412 |
+\end{paracol}
|
|
| 413 |
+ |
|
| 414 |
+\subsubsection*{Alleluia Verse \eattr{Daniel Grimm}{}}
|
|
| 415 |
+\begin{paracol}{2}
|
|
| 416 |
+%\RaggedRight |
|
| 417 |
+\citetextv{1 John}{4}{16}
|
|
| 418 |
+He who lives in love, lives in God, |
|
| 419 |
+and God in him. |
|
| 420 |
+ |
|
| 421 |
+\switchcolumn |
|
| 422 |
+\citetextv{1 Juan}{4}{16}
|
|
| 423 |
+\textspanish{El que vive en amor, vive en Dios, y Dios en él.}
|
|
| 424 |
+ |
|
| 425 |
+\end{paracol}
|
|
| 426 |
+ |
|
| 427 |
+\begin{paracol}{2}[\subsubsection*{Gospel}]
|
|
| 428 |
+%\RaggedRight |
|
| 429 |
+ |
|
| 430 |
+\awys |
|
| 431 |
+ |
|
| 432 |
+\verseResponsePair% |
|
| 433 |
+{A reading from the holy Gospel according to John}%
|
|
| 434 |
+{Glory to you, O Lord.}
|
|
| 435 |
+\switchcolumn |
|
| 436 |
+ |
|
| 437 |
+\textspanish{%
|
|
| 438 |
+\verseResponsePair{Lectura del Santo Evangelio según San Juan.}%
|
|
| 439 |
+{Gloria a Ti, Señor.}}
|
|
| 440 |
+\switchcolumn* |
|
| 441 |
+ |
|
| 442 |
+\citetext{John}{17}{20}{26}
|
|
| 443 |
+Jesus raised his eyes to heaven and said: |
|
| 444 |
+“I pray not only for my disciples, |
|
| 445 |
+but also for those who will believe in me through their word, |
|
| 446 |
+so that they may all be one, |
|
| 447 |
+as you, Father, are in me and I in you, |
|
| 448 |
+that they also may be in us, |
|
| 449 |
+that the world may believe that you sent me. |
|
| 450 |
+\switchcolumn |
|
| 451 |
+ |
|
| 452 |
+\begin{spanish}
|
|
| 453 |
+\citetext{Juan}{17}{20}{26}
|
|
| 454 |
+En aquel tiempo, Jesús levantó los ojos al cielo y dijo: “Padre, no sólo te pido por mis discípulos, sino también por los que van a creer en mí por la palabra de ellos, para que todos sean uno, como tú, Padre, en mí y yo en ti somos uno, a fin de que sean uno en nosotros y el mundo crea que tú me has enviado. |
|
| 455 |
+\end{spanish}
|
|
| 456 |
+\switchcolumn* |
|
| 457 |
+ |
|
| 458 |
+And I have given them the glory you gave me, |
|
| 459 |
+so that they may be one, as we are one, |
|
| 460 |
+I in them and you in me, |
|
| 461 |
+that they may be brought to perfection as one, |
|
| 462 |
+that the world may know that you sent me, |
|
| 463 |
+and that you loved them even as you loved me. |
|
| 464 |
+\switchcolumn |
|
| 465 |
+ |
|
| 466 |
+ |
|
| 467 |
+\begin{spanish}
|
|
| 468 |
+Yo les he dado la gloria que tú me diste, para que sean uno, como nosotros somos uno. Yo en ellos y tú en mí, para que su unidad sea perfecta y así el mundo conozca que tú me has enviado y que los amas, como me amas a mí. |
|
| 469 |
+\end{spanish}
|
|
| 470 |
+ |
|
| 471 |
+\switchcolumn* |
|
| 472 |
+ |
|
| 473 |
+Father, they are your gift to me. |
|
| 474 |
+I wish that where I am they also may be with me, |
|
| 475 |
+that they may see my glory that you gave me, |
|
| 476 |
+because you loved me before the foundation of the world. |
|
| 477 |
+\switchcolumn |
|
| 478 |
+ |
|
| 479 |
+\begin{spanish}
|
|
| 480 |
+Padre, quiero que donde yo esté, estén también conmigo los que me has dado, para que contemplen mi gloria, la que me diste, porque me has amado desde antes de la creación del mundo. |
|
| 481 |
+\end{spanish}
|
|
| 482 |
+\switchcolumn* |
|
| 483 |
+ |
|
| 484 |
+Righteous Father, the world also does not know you, |
|
| 485 |
+but I know you, and they know that you sent me. |
|
| 486 |
+I made known to them your name and I will make it known, |
|
| 487 |
+that the love with which you loved me |
|
| 488 |
+may be in them and I in them.” |
|
| 489 |
+\switchcolumn |
|
| 490 |
+ |
|
| 491 |
+\begin{spanish}
|
|
| 492 |
+Padre justo, el mundo no te ha conocido; pero yo sí te conozco y éstos han conocido que tú me enviaste. Yo les he dado a conocer tu nombre y se lo seguiré dando a conocer, para que el amor con que me amas esté en ellos y yo también en ellos.” |
|
| 493 |
+\end{spanish}
|
|
| 494 |
+\ensurevspace{3\baselineskip}
|
|
| 495 |
+\switchcolumn* |
|
| 496 |
+ |
|
| 497 |
+\verseResponsePair{The Gospel of the Lord.}{Praise to you, Lord Jesus Christ.}
|
|
| 498 |
+\switchcolumn |
|
| 499 |
+ |
|
| 500 |
+\begin{spanish}
|
|
| 501 |
+\verseResponsePair{Palabra del Señor.}{Gloria a Ti, Señor Jesus.}
|
|
| 502 |
+\end{spanish}
|
|
| 503 |
+\end{paracol}
|
|
| 504 |
+ |
|
| 505 |
+\Needspace{5\baselineskip}
|
|
| 506 |
+\subsection*{The Rite of Marriage}
|
|
| 507 |
+\input{vows/vows.tex}
|
|
| 508 |
+ |
|
| 509 |
+\Needspace{11\baselineskip}
|
|
| 510 |
+\subsection*{Prayers of the Faithful}
|
|
| 511 |
+ |
|
| 512 |
+\eattr{Cecilia Teichert, Sister of the Bride}{\hspace*{\fill}Eduardo Pulido, Brother of the Groom}
|
|
| 513 |
+ |
|
| 514 |
+\begin{paracol}{2}
|
|
| 515 |
+\priest{%
|
|
| 516 |
+The God of all creation |
|
| 517 |
+has given us man and woman |
|
| 518 |
+to be a sign of the love and mercy |
|
| 519 |
+that God has for us all. |
|
| 520 |
+Let us now join with Mary and Jose |
|
| 521 |
+in asking God to grant our special prayers |
|
| 522 |
+on this day of joy and hope.} |
|
| 523 |
+\switchcolumn |
|
| 524 |
+ |
|
| 525 |
+\priest{El Dios de toda la creación nos ha dado hombre y mujer para ser un signo del amor y misericordia que Dios tiene para todos nosotros. Nos unimos a Mary y José pidiendo a Dios nos conceda oraciones especiales en este día de gozo y esperanza}
|
|
| 526 |
+\switchcolumn* |
|
| 527 |
+ |
|
| 528 |
+\textit{Lector:} \lectorResponsePair{That Pope Francis, his brother bishops and all the faithful will be enlightened by the Spirit of God as expressed in the Synod on the Family; let us pray to the Lord:}{Lord, Hear Our Prayer}
|
|
| 529 |
+\switchcolumn |
|
| 530 |
+ |
|
| 531 |
+ \begin{spanish}
|
|
| 532 |
+\lectorResponsePair{%
|
|
| 533 |
+\textit{Lector:} Para que el Papa Francisco, sus hermanos obispos, y todos los fieles sean iluminados por el Espíritu de Dios como se expresó en el Sínodo sobre la Familia; oremos al Señor:}{Oremos al Señor}
|
|
| 534 |
+ \end{spanish}
|
|
| 535 |
+\switchcolumn* |
|
| 536 |
+ |
|
| 537 |
+That the Holy Spirit will illuminate the world’s leaders, particularly those in the United States and in Colombia to seek peace and justice for all; let us pray to the Lord: |
|
| 538 |
+\switchcolumn |
|
| 539 |
+ |
|
| 540 |
+\begin{spanish}
|
|
| 541 |
+Para que el Espíritu Santo ilumine a los líderes del mundo, en particular los de los Estados Unidos y de Colombia para buscar la paz y la justicia para todos; oremos al Señor: |
|
| 542 |
+\end{spanish}
|
|
| 543 |
+\switchcolumn* |
|
| 544 |
+ |
|
| 545 |
+That people throughout the world will learn to respect and to care for creation as a gift of God; |
|
| 546 |
+let us pray to the Lord: |
|
| 547 |
+\switchcolumn |
|
| 548 |
+ |
|
| 549 |
+ \begin{spanish}
|
|
| 550 |
+ Para que la gente de todo el mundo aprenda a respetar y cuidar de la creación como si fuese una bendición de Dios; oremos al Señor: |
|
| 551 |
+ \end{spanish}
|
|
| 552 |
+\switchcolumn* |
|
| 553 |
+ |
|
| 554 |
+That the Spirit will bless the Church with many priestly and religious vocations, and especially bless those who have already embraced the call, particularly Sr. Julie Teichert; Let us pray to the Lord: |
|
| 555 |
+\switchcolumn |
|
| 556 |
+ |
|
| 557 |
+ \begin{spanish}
|
|
| 558 |
+ Para que el Espíritu bendiga a la Iglesia con muchas vocaciones sacerdotales y religiosas, y que especialmente bendiga a los que ya han adoptado la vocación, sobre todo Sor Julie Teichert; oremos al Señor: |
|
| 559 |
+ \end{spanish}
|
|
| 560 |
+\switchcolumn* |
|
| 561 |
+ |
|
| 562 |
+That the unemployed or under-employed may find satisfying work; Let us pray to the Lord: |
|
| 563 |
+\switchcolumn |
|
| 564 |
+ |
|
| 565 |
+ \begin{spanish}
|
|
| 566 |
+ Que los desempleados o subempleados puedan encontrar un trabajo satisfactorio; oremos al Señor: |
|
| 567 |
+ \end{spanish}
|
|
| 568 |
+\switchcolumn* |
|
| 569 |
+ |
|
| 570 |
+That the Spirit will strengthen the faithful to work for the protection of the unborn, the care of the elderly and the assistance of all in need; Let us pray to the Lord: |
|
| 571 |
+\switchcolumn |
|
| 572 |
+ |
|
| 573 |
+ \begin{spanish}
|
|
| 574 |
+ Que el Espíritu fortalezca a los fieles a trabajar para la protección de los bebes no nacidos, el cuidado de los ancianos y la ayuda de todos los necesitados; oremos al Señor: |
|
| 575 |
+ \end{spanish}
|
|
| 576 |
+\switchcolumn* |
|
| 577 |
+ |
|
| 578 |
+That God will grace all married couples and families and will give mercy and comfort to those couples which may be experiencing difficulty; Let us pray to the Lord: |
|
| 579 |
+\switchcolumn |
|
| 580 |
+ |
|
| 581 |
+ \begin{spanish}
|
|
| 582 |
+ Que Dios bendiga a todos los matrimonios y las familias y Le de misericordia y consuelo a aquellas parejas que pueden estar experimentando dificultades; oremos al Señor: |
|
| 583 |
+ \end{spanish}
|
|
| 584 |
+\switchcolumn* |
|
| 585 |
+ |
|
| 586 |
+That the Holy Family will inspire all Christians to joyfully proclaim the Gospel; Let us pray to the Lord: |
|
| 587 |
+\switchcolumn |
|
| 588 |
+ |
|
| 589 |
+ \begin{spanish}
|
|
| 590 |
+ Que la Sagrada Familia inspire a todos los Católicos a proclamar con alegría el Evangelio; oremos al Señor: |
|
| 591 |
+ \end{spanish}
|
|
| 592 |
+\switchcolumn* |
|
| 593 |
+ |
|
| 594 |
+That all those who have died, especially Luis Alejandro Pulido Bernal, Aurelio Castro González, Rosalind Grimm, Susan and Bernard Bujnak, Henry and Wendy Teichert, and Edward and Dolores Mills will be welcomed into God’s eternal embrace; Let us pray to the Lord: |
|
| 595 |
+\switchcolumn |
|
| 596 |
+ |
|
| 597 |
+ \begin{spanish}
|
|
| 598 |
+ Que todos los que han muerto, especialmente Luis Alejandro Pulido Bernal, Aurelio Castro González, Rosalind Grimm, Susan y Bernard Bujňák, Henry y Wendy Teichert, y Edward and Dolores Mills sean recibidos en el abrazo eterno de Dios en el Cielo; oremos al Señor: |
|
| 599 |
+ \end{spanish}
|
|
| 600 |
+\switchcolumn* |
|
| 601 |
+ |
|
| 602 |
+That the Holy Family of Jesus, Mary and Joseph will bless Mary Dolores and José Miguel as they embrace their vocation and become a sign of God’s love to all; Let us pray to the Lord: |
|
| 603 |
+\switchcolumn |
|
| 604 |
+ |
|
| 605 |
+ \begin{spanish}
|
|
| 606 |
+ Que la Sagrada Familia de Jesús, María y José bendigan a María Dolores y a José Miguel, mientras aceptan su vocación al matrimonio y se convierten en un signo del amor de Dios a todos; oremos al Señor: |
|
| 607 |
+ \end{spanish}
|
|
| 608 |
+\switchcolumn* |
|
| 609 |
+ |
|
| 610 |
+\amenResponse{%
|
|
| 611 |
+Lord God of all creation, |
|
| 612 |
+ you have given us your word Incarnate as a sign of your |
|
| 613 |
+ unending love, generosity and mercy. |
|
| 614 |
+As we continue to celebrate again the coming of your Son, |
|
| 615 |
+ we ask you to hear our prayers |
|
| 616 |
+ and sustain us in your justice and constancy.\pagebreak[3]{}
|
|
| 617 |
+To you Almighty God, |
|
| 618 |
+ be all glory in the highest, |
|
| 619 |
+ through Jesus Christ |
|
| 620 |
+ and in the power of the your Spirit |
|
| 621 |
+ now and forever.} |
|
| 622 |
+\switchcolumn |
|
| 623 |
+ |
|
| 624 |
+\begin{spanish}
|
|
| 625 |
+\amenResponse{Señor Dios de toda la creación, Nos has dado tu palabra encarnada como señal de tu amor interminable, generoso y misericordioso. A medida que continuamos a celebrar de nuevo, la venida de tu Hijo, te pedimos de escuchar nuestras oraciones y nos sostengas en tu justicia y constancia. \pagebreak[3]{}Para ti Dios Todopoderoso, sea la Gloria en las Alturas, por medio de Jesucristo y en el poder de su Espíritu ahora y siempre.}
|
|
| 626 |
+\end{spanish}
|
|
| 627 |
+\switchcolumn* |
|
| 628 |
+ |
|
| 629 |
+\end{paracol}
|
|
| 630 |
+ |
|
| 631 |
+\Needspace{5\baselineskip}
|
|
| 632 |
+\subsection*{The Profession of Faith}
|
|
| 633 |
+\input{creed/creed.tex}
|
|
| 634 |
+ |
|
| 635 |
+\clearpage{}
|
|
| 636 |
+\subsection*{The Liturgy of the Eucharist}
|
|
| 637 |
+\subsubsection*{Offertory Hymn}
|
|
| 638 |
+ |
|
| 639 |
+%\input{offertory/off.tex}
|
|
| 640 |
+ |
|
| 641 |
+\songtitle{Away In a Manger}{Traditional (19th Century)}
|
|
| 642 |
+ |
|
| 643 |
+\input{awayinamanger.tex}
|
|
| 644 |
+ |
|
| 645 |
+\begin{center}
|
|
| 646 |
+\textit{The groom's mother, Elizabeth Castro, and the bride's mother, Julie Teichert, bring the gifts to the altar.}
|
|
| 647 |
+\end{center}
|
|
| 648 |
+ |
|
| 649 |
+\Needspace{6\baselineskip}
|
|
| 650 |
+\begin{paracol}{2}
|
|
| 651 |
+ Pray, brethren, that my sacrifice and |
|
| 652 |
+ yours may be acceptable to God, the almighty Father. |
|
| 653 |
+ \switchcolumn{}
|
|
| 654 |
+ |
|
| 655 |
+ \begin{spanish}
|
|
| 656 |
+ Oren, hermanos, para que este sacrificio, mío y de ustedes, sea agradable a |
|
| 657 |
+ Dios, Padre todopoderoso. |
|
| 658 |
+ \end{spanish}
|
|
| 659 |
+ \switchcolumn* |
|
| 660 |
+ |
|
| 661 |
+ \congregationResponse{May the Lord accept the sacrifice at your hands for the
|
|
| 662 |
+ praise and glory of his name, for our good and the good of all his holy |
|
| 663 |
+ Church. |
|
| 664 |
+ } |
|
| 665 |
+ \switchcolumn{}
|
|
| 666 |
+ |
|
| 667 |
+ \begin{spanish}
|
|
| 668 |
+ \congregationResponse{El Señor reciba de tus manos este sacrificio, para
|
|
| 669 |
+ alabanza y gloria de so nombre, para nuestro bien y el de toda su santa |
|
| 670 |
+ Iglesia. |
|
| 671 |
+ } |
|
| 672 |
+ \end{spanish}
|
|
| 673 |
+ \switchcolumn* |
|
| 674 |
+ |
|
| 675 |
+\awys |
|
| 676 |
+ |
|
| 677 |
+\verseResponsePair{Lift up your hearts.}{We lift them up to the Lord.}
|
|
| 678 |
+\switchcolumn |
|
| 679 |
+ |
|
| 680 |
+\verseResponsePair{Levantemos el corazón.}{Lo tenemos levantado hacia el Señor.}
|
|
| 681 |
+\switchcolumn* |
|
| 682 |
+ |
|
| 683 |
+\verseResponsePair{Let us give thanks to the Lord our God.}{It is right and just.}
|
|
| 684 |
+\switchcolumn |
|
| 685 |
+ |
|
| 686 |
+\verseResponsePair{Demos gracias al Señor, nuestro Dios.}{Es justo y necesario.}
|
|
| 687 |
+\switchcolumn* |
|
| 688 |
+ |
|
| 689 |
+\end{paracol}
|
|
| 690 |
+ |
|
| 691 |
+\choir{Sanctus}{\hlh}
|
|
| 692 |
+%\input{ep1/ep1.tex}
|
|
| 693 |
+ |
|
| 694 |
+\subsubsection*{The Communion Rite}
|
|
| 695 |
+ |
|
| 696 |
+\begin{paracol}{2}
|
|
| 697 |
+\priest{At the Savior’s command and formed by divine teaching, we dare to say:}
|
|
| 698 |
+\switchcolumn |
|
| 699 |
+ |
|
| 700 |
+\textspanish{\priest{%
|
|
| 701 |
+Fieles a la recomendación del Salvador y siguiendo su divina enseñanza, nos atrevemos a decir: |
|
| 702 |
+}} |
|
| 703 |
+\switchcolumn* |
|
| 704 |
+ |
|
| 705 |
+\begin{People}
|
|
| 706 |
+Our Father, who art in heaven, hallowed be thy name; |
|
| 707 |
+thy kingdom come, |
|
| 708 |
+thy will be done |
|
| 709 |
+on earth as it is in heaven. |
|
| 710 |
+Give us this day our daily bread, |
|
| 711 |
+and forgive us our trespasses, |
|
| 712 |
+as we forgive those who trespass against us; and lead us not into temptation, |
|
| 713 |
+but deliver us from evil. |
|
| 714 |
+\end{People}
|
|
| 715 |
+\switchcolumn |
|
| 716 |
+ |
|
| 717 |
+\begin{spanish}
|
|
| 718 |
+\begin{People}
|
|
| 719 |
+Padre nuestro, que estás en el cielo, santificado sea tu nombre; venga a nosotros tu reino; hágase tu voluntad en la tierra como en el cielo. Danos hoy nuestro pan de cada día; perdona nuestras ofensas, como también nosotros perdonamos a los que nos ofenden; no nos dejes caer en la tentación y líbranos del mal. |
|
| 720 |
+\end{People}
|
|
| 721 |
+\end{spanish}
|
|
| 722 |
+\switchcolumn* |
|
| 723 |
+ |
|
| 724 |
+\verseResponsePair{%
|
|
| 725 |
+Deliver us, Lord, we pray, from every evil, graciously grant peace in our days, |
|
| 726 |
+that, by the help of your mercy, |
|
| 727 |
+we may be always free from sin |
|
| 728 |
+and safe from all distress, |
|
| 729 |
+as we await the blessed hope |
|
| 730 |
+and the coming of our Savior, Jesus Christ.}{%
|
|
| 731 |
+For the kingdom, |
|
| 732 |
+the power and the glory are yours now and for ever.} |
|
| 733 |
+\switchcolumn |
|
| 734 |
+ |
|
| 735 |
+\begin{spanish}
|
|
| 736 |
+\verseResponsePair{%
|
|
| 737 |
+Líbranos de todos los males, Señor, y concédenos la paz en nuestros días, para que, ayudados por tu misericordia, vivamos siempre libres de pecado y protegidos de toda perturbación, mientras esperamos la gloriosa venida de nuestro Salvador, Jesucristo.}{%
|
|
| 738 |
+Tuyo es el reino, tuyo el poder y la gloria, por siempre, Señor.} |
|
| 739 |
+\end{spanish}
|
|
| 740 |
+\switchcolumn* |
|
| 741 |
+ |
|
| 742 |
+\amenResponse{%
|
|
| 743 |
+Lord Jesus Christ, |
|
| 744 |
+who said to your Apostles: |
|
| 745 |
+Peace I leave you, my peace I give you; look not on our sins, |
|
| 746 |
+but on the faith of your Church, |
|
| 747 |
+and graciously grant her peace and unity in accordance with your will. |
|
| 748 |
+Who live and reign for ever and ever.} |
|
| 749 |
+\switchcolumn |
|
| 750 |
+ |
|
| 751 |
+\begin{spanish}
|
|
| 752 |
+\amenResponse{%
|
|
| 753 |
+Señor Jesucristo, que dijiste a tus apóstoles: "La paz les dejo, mi paz les doy", no tengas en cuenta nuestros pecados, sino la fe de tu Iglesia y, conforme a tu palabra, concédele la paz y la unidad. Tú, que vives y reinas por los siglos de los siglos.} |
|
| 754 |
+\end{spanish}
|
|
| 755 |
+\switchcolumn* |
|
| 756 |
+ |
|
| 757 |
+\AwysResponse{The peace of the Lord be with you always.}
|
|
| 758 |
+\switchcolumn |
|
| 759 |
+ |
|
| 760 |
+\textspanish{\AwysResponse{La paz del Señor esté siempre con ustedes.}}
|
|
| 761 |
+\switchcolumn* |
|
| 762 |
+ |
|
| 763 |
+\priest{Let us offer each other the sign of peace.}
|
|
| 764 |
+\switchcolumn |
|
| 765 |
+ |
|
| 766 |
+\textspanish{\priest{Dense fraternalmente la paz.}}
|
|
| 767 |
+\switchcolumn* |
|
| 768 |
+ |
|
| 769 |
+\end{paracol}
|
|
| 770 |
+ |
|
| 771 |
+\bigskip |
|
| 772 |
+\choir{Agnus Dei}{\hlh}
|
|
| 773 |
+\bigskip |
|
| 774 |
+ |
|
| 775 |
+\begin{paracol}{2}
|
|
| 776 |
+\priest{Behold the Lamb of God, behold him who takes away the sins of the world.
|
|
| 777 |
+Blessed are those called to the supper of the Lamb.} |
|
| 778 |
+\switchcolumn |
|
| 779 |
+ |
|
| 780 |
+\textspanish{\priest{Éste es el Cordero de Dios, que quita el pecado del mundo. Dichosos los invitados a la cena del Señor.}}
|
|
| 781 |
+\switchcolumn* |
|
| 782 |
+ |
|
| 783 |
+\people{Lord, I am not worthy
|
|
| 784 |
+that you should enter under my roof, but only say the word |
|
| 785 |
+and my soul shall be healed.} |
|
| 786 |
+\switchcolumn |
|
| 787 |
+ |
|
| 788 |
+\textspanish{\people{Señor, no soy digno de que entres en mi casa, pero una Palabra tuya bastará para sanarme.}}
|
|
| 789 |
+\switchcolumn* |
|
| 790 |
+\end{paracol}
|
|
| 791 |
+ |
|
| 792 |
+%\begin{samepage}
|
|
| 793 |
+\clearpage{}
|
|
| 794 |
+\subsubsection*{Communion Hymn and Postlude}
|
|
| 795 |
+ |
|
| 796 |
+\songtitle{Silent Night}{Franz Xaver Gruber (1787--1863)}
|
|
| 797 |
+\input{silentnight.tex}
|
|
| 798 |
+ |
|
| 799 |
+\songtitle{Come My Way, My Truth, My Life}{Ralph Vaughan Williams\\\hspace*{\fill}Daniel Grimm, Cantor}
|
|
| 800 |
+ |
|
| 801 |
+\subsubsection*{Dedication to Our Lady and Her Most Chaste Spouse}
|
|
| 802 |
+ |
|
| 803 |
+\choir{Ave Maria}{Tomás Luis de Victoria (1549--1611)}
|
|
| 804 |
+ |
|
| 805 |
+\subsubsection*{The Concluding Rite}
|
|
| 806 |
+ |
|
| 807 |
+\begin{paracol}{2}
|
|
| 808 |
+ |
|
| 809 |
+\awys |
|
| 810 |
+ |
|
| 811 |
+\amenResponse{May almighty God bless you,
the Father, and the Son, and the Holy Spirit.}
|
|
| 812 |
+\switchcolumn |
|
| 813 |
+\begin{spanish}
|
|
| 814 |
+\amenResponse{La bendición de Dios todopoderoso, Padre, Hijo y Espíritu Santo, descienda sobre ustedes.}
|
|
| 815 |
+\end{spanish}
|
|
| 816 |
+\switchcolumn* |
|
| 817 |
+ |
|
| 818 |
+\verseResponsePair{Go in peace.}{Thanks be to God.}
|
|
| 819 |
+\switchcolumn |
|
| 820 |
+\begin{spanish}
|
|
| 821 |
+\verseResponsePair{Pueden ir en paz.}{Demos gracias a Dios.}
|
|
| 822 |
+\end{spanish}
|
|
| 823 |
+\switchcolumn* |
|
| 824 |
+ |
|
| 825 |
+\end{paracol}
|
|
| 826 |
+ |
|
| 827 |
+\subsubsection*{Recessional}
|
|
| 828 |
+ |
|
| 829 |
+\choir{Tomorrow Shall be my Dancing Day}{Traditional}
|
|
| 830 |
+ |
|
| 831 |
+\clearpage{}
|
|
| 832 |
+ |
|
| 833 |
+\begin{BackCover}
|
|
| 834 |
+\vspace*{\fill}
|
|
| 835 |
+ |
|
| 836 |
+\begin{quote}
|
|
| 837 |
+\begin{center}
|
|
| 838 |
+\textit{Mary and José Miguel are very grateful to all those who offered their time, talents, and energy \\ for the success of their wedding.}
|
|
| 839 |
+\end{center}
|
|
| 840 |
+ |
|
| 841 |
+\bigskip |
|
| 842 |
+ |
|
| 843 |
+Special thanks to Mary's parents, \textit{Jon} and \textit{Julie}, for help with everything wedding-related; to José Miguel's father, \textit{Eduardo}, for generously providing the coffee favors; to his sister, \textit{Gina}, for tirelessly assisting in everything Colombian; to her brother \textit{Henry}, our wonderful DJ; to her uncle \textit{Danny}, for the beautiful music at the Mass; to \textit{Fr.\ Isaiah}, for celebrating the Mass; to \textit{Adria}, for help with translations; to her sister-in-law, Naomi, for proofreading; and to her brother-in-law, \textit{Ed}, for making the program.
|
|
| 844 |
+\end{quote}
|
|
| 845 |
+ |
|
| 846 |
+\vspace*{\fill}
|
|
| 847 |
+\end{BackCover}
|
|
| 848 |
+ |
|
| 849 |
+\end{document}
|
| 0 | 850 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,76 @@ |
| 1 |
+%! program = xelatex |
|
| 2 |
+ |
|
| 3 |
+%\documentclass[12pt,a4paper]{memoir} % for a long document
|
|
| 4 |
+\documentclass[12pt,letterpaper]{memoir} % for a short document
|
|
| 5 |
+\usepackage{paracol}
|
|
| 6 |
+ |
|
| 7 |
+ |
|
| 8 |
+%\usepackage{alegreya}
|
|
| 9 |
+% See the ``Memoir customise'' template for some common customisations |
|
| 10 |
+% Don't forget to read the Memoir manual: memman.pdf |
|
| 11 |
+ |
|
| 12 |
+%% LaTeX - Memoir customise |
|
| 13 |
+ |
|
| 14 |
+%%% PAGE DIMENSIONS |
|
| 15 |
+% Set up the paper to be as close as possible to both A4 & letter: |
|
| 16 |
+\settrimmedsize{11in}{210mm}{*} % letter = 11in tall; a4 = 210mm wide
|
|
| 17 |
+\setlength{\trimtop}{0pt}
|
|
| 18 |
+\setlength{\trimedge}{\stockwidth}
|
|
| 19 |
+\addtolength{\trimedge}{-\paperwidth}
|
|
| 20 |
+\settypeblocksize{*}{\lxvchars}{1.618} % we want to the text block to have golden proportionals
|
|
| 21 |
+\setulmargins{50pt}{*}{*} % 50pt upper margins
|
|
| 22 |
+\setlrmargins{*}{*}{1.618} % golden ratio again for left/right margins
|
|
| 23 |
+\setheaderspaces{*}{*}{1.618}
|
|
| 24 |
+\checkandfixthelayout |
|
| 25 |
+% This is from memman.pdf |
|
| 26 |
+ |
|
| 27 |
+%%% \maketitle CUSTOMISATION |
|
| 28 |
+% For more than trivial changes, you may as well do it yourself in a titlepage environment |
|
| 29 |
+\pretitle{\begin{center}\sffamily\huge\MakeUppercase}
|
|
| 30 |
+\posttitle{\par\end{center}\vskip 0.5em}
|
|
| 31 |
+ |
|
| 32 |
+%%% ToC APPEARANCE |
|
| 33 |
+\maxtocdepth{subsection} % include subsections
|
|
| 34 |
+\renewcommand{\cftchapterpagefont}{}
|
|
| 35 |
+\renewcommand{\cftchapterfont}{} % no bold!
|
|
| 36 |
+ |
|
| 37 |
+%%% HEADERS & FOOTERS |
|
| 38 |
+\pagestyle{ruled} % try also: empty , plain , headings , ruled , Ruled , companion
|
|
| 39 |
+ |
|
| 40 |
+%%% CHAPTERS |
|
| 41 |
+\chapterstyle{hangnum} % try also: default , section , hangnum , companion , article, demo
|
|
| 42 |
+ |
|
| 43 |
+\renewcommand{\chaptitlefont}{\Huge\sffamily\raggedright} % set sans serif chapter title font
|
|
| 44 |
+\renewcommand{\chapnumfont}{\Huge\sffamily\raggedright} % set sans serif chapter number font
|
|
| 45 |
+ |
|
| 46 |
+%%% SECTIONS |
|
| 47 |
+\hangsecnum % hang the section numbers into the margin to match \chapterstyle{hangnum}
|
|
| 48 |
+\maxsecnumdepth{subsection} % number subsections
|
|
| 49 |
+ |
|
| 50 |
+\setsecheadstyle{\Large\sffamily\raggedright} % set sans serif section font
|
|
| 51 |
+\setsubsecheadstyle{\large\sffamily\raggedright} % set sans serif subsection font
|
|
| 52 |
+ |
|
| 53 |
+%% END Memoir customise |
|
| 54 |
+ |
|
| 55 |
+\title{}
|
|
| 56 |
+\author{}
|
|
| 57 |
+\date{} % Delete this line to display the current date
|
|
| 58 |
+ |
|
| 59 |
+%%% BEGIN DOCUMENT |
|
| 60 |
+\begin{document}
|
|
| 61 |
+ |
|
| 62 |
+\maketitle |
|
| 63 |
+ |
|
| 64 |
+ |
|
| 65 |
+\section*{Order Of Mass}
|
|
| 66 |
+\subsection*{Processional}
|
|
| 67 |
+\subsection*{First Reading}
|
|
| 68 |
+\begin{paracol}{2}
|
|
| 69 |
+On their wedding night Tobiah arose from bed and said to his wife, ?Sister, get up. Let us pray and beg our Lord to have mercy on us and to grant us deliverance.? Sarah got up, and they started to pray and beg that deliverance might be theirs. They began with these words: ?Blessed are you, O God of our fathers; praised be your name forever and ever. Let the heavens and all your creation praise you forever. You made Adam and you gave him his wife Eve to be his help and support; and from these two the human race descended. You said, ?It is not good for the man to be alone; let us make him a partner like himself.? Now, Lord, you know that I take this wife of mine not because of lust, but for a noble purpose. Call down your mercy on me and on her, and allow us to live together to a happy old age.? They said together, ?Amen, amen.? The word of the Lord. |
|
| 70 |
+\switchcolumn |
|
| 71 |
+La noche de su boda, Tob�as se levant� y le dijo a Sara: ?�Lev�ntate, hermana! Supliquemos al Se�or, nuestro Dios, que tenga misericordia de nosotros y nos proteja?. Se levant� Sara y comenzaron a suplicar al Se�or que los protegiera, diciendo: ?Bendito seas, Dios de nuestros padres y bendito sea tu nombre por los siglos de los siglos. Que te bendigan los cielos y todas tus creaturas por los siglos de los siglos. T� creaste a Ad�n y le diste a Eva como ayuda y apoyo, y de ambos procede todo el g�nero humano. T� dijiste: ?No es bueno que el hombre est� solo. Voy a hacer a alguien como �l, para que lo ayude? ?. ?Ahora, Se�or, si yo tomo por esposa a esta hermana m�a, no es por satisfacer mis pasiones, sino por un fin honesto. Compad�cete, Se�or, de ella y de m� y haz que los dos juntos vivamos felices hasta la vejez?. Palabra de Dios. |
|
| 72 |
+\end{paracol}
|
|
| 73 |
+\subsection*{Responsorial Psalm}
|
|
| 74 |
+\subsection*{Second Reading}
|
|
| 75 |
+ |
|
| 76 |
+\end{document}
|
|
| 0 | 77 |
\ No newline at end of file |
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+\noindent |
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+\ifx\preLilyPondExample \undefined |
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|
| 8 |
+\def\lilypondbook{}%
|
|
| 9 |
+\input{12/lily-fd0a1f25-systems.tex}
|
|
| 10 |
+\ifx\postLilyPondExample \undefined |
|
| 11 |
+\else |
|
| 12 |
+ \expandafter\postLilyPondExample |
|
| 13 |
+\fi |
|
| 14 |
+} |
| 0 | 15 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,178 @@ |
| 1 |
+\begin{lilypond}
|
|
| 2 |
+ |
|
| 3 |
+\language "english" |
|
| 4 |
+ |
|
| 5 |
+#(set-global-staff-size 14) |
|
| 6 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.5 in) (* 6.25 in))) paper-alist))
|
|
| 7 |
+ |
|
| 8 |
+#(define (rest-score r) |
|
| 9 |
+ (let ((score 0) |
|
| 10 |
+ (yoff (ly:grob-property-data r 'Y-offset)) |
|
| 11 |
+ (sp (ly:grob-property-data r 'staff-position))) |
|
| 12 |
+ (if (number? yoff) |
|
| 13 |
+ (set! score (+ score 2)) |
|
| 14 |
+ (if (eq? yoff 'calculation-in-progress) |
|
| 15 |
+ (set! score (- score 3)))) |
|
| 16 |
+ (and (number? sp) |
|
| 17 |
+ (<= 0 2 sp) |
|
| 18 |
+ (set! score (+ score 2)) |
|
| 19 |
+ (set! score (- score (abs (- 1 sp))))) |
|
| 20 |
+ score)) |
|
| 21 |
+ |
|
| 22 |
+ |
|
| 23 |
+#(define (merge-rests-on-positioning grob) |
|
| 24 |
+ (let* ((can-merge #f) |
|
| 25 |
+ (elts (ly:grob-object grob 'elements)) |
|
| 26 |
+ (num-elts (and (ly:grob-array? elts) |
|
| 27 |
+ (ly:grob-array-length elts))) |
|
| 28 |
+ (two-voice? (= num-elts 2))) |
|
| 29 |
+ (if two-voice? |
|
| 30 |
+ (let* ((v1-grob (ly:grob-array-ref elts 0)) |
|
| 31 |
+ (v2-grob (ly:grob-array-ref elts 1)) |
|
| 32 |
+ (v1-rest (ly:grob-object v1-grob 'rest)) |
|
| 33 |
+ (v2-rest (ly:grob-object v2-grob 'rest))) |
|
| 34 |
+ (and |
|
| 35 |
+ (ly:grob? v1-rest) |
|
| 36 |
+ (ly:grob? v2-rest) |
|
| 37 |
+ (let* ((v1-duration-log (ly:grob-property v1-rest 'duration-log)) |
|
| 38 |
+ (v2-duration-log (ly:grob-property v2-rest 'duration-log)) |
|
| 39 |
+ (v1-dot (ly:grob-object v1-rest 'dot)) |
|
| 40 |
+ (v2-dot (ly:grob-object v2-rest 'dot)) |
|
| 41 |
+ (v1-dot-count (and (ly:grob? v1-dot) |
|
| 42 |
+ (ly:grob-property v1-dot 'dot-count -1))) |
|
| 43 |
+ (v2-dot-count (and (ly:grob? v2-dot) |
|
| 44 |
+ (ly:grob-property v2-dot 'dot-count -1)))) |
|
| 45 |
+ (set! can-merge |
|
| 46 |
+ (and |
|
| 47 |
+ (number? v1-duration-log) |
|
| 48 |
+ (number? v2-duration-log) |
|
| 49 |
+ (= v1-duration-log v2-duration-log) |
|
| 50 |
+ (eq? v1-dot-count v2-dot-count))) |
|
| 51 |
+ (if can-merge |
|
| 52 |
+ ;; keep the rest that looks best: |
|
| 53 |
+ (let* ((keep-v1? (>= (rest-score v1-rest) |
|
| 54 |
+ (rest-score v2-rest))) |
|
| 55 |
+ (rest-to-keep (if keep-v1? v1-rest v2-rest)) |
|
| 56 |
+ (dot-to-kill (if keep-v1? v2-dot v1-dot))) |
|
| 57 |
+ ;; uncomment if you're curious of which rest was chosen: |
|
| 58 |
+ ;;(ly:grob-set-property! v1-rest 'color green) |
|
| 59 |
+ ;;(ly:grob-set-property! v2-rest 'color blue) |
|
| 60 |
+ (ly:grob-suicide! (if keep-v1? v2-rest v1-rest)) |
|
| 61 |
+ (if (ly:grob? dot-to-kill) |
|
| 62 |
+ (ly:grob-suicide! dot-to-kill)) |
|
| 63 |
+ (ly:grob-set-property! rest-to-keep 'direction 0) |
|
| 64 |
+ (ly:rest::y-offset-callback rest-to-keep))))))) |
|
| 65 |
+ (if can-merge |
|
| 66 |
+ #t |
|
| 67 |
+ (ly:rest-collision::calc-positioning-done grob)))) |
|
| 68 |
+ |
|
| 69 |
+\paper {
|
|
| 70 |
+ #(set-paper-size "my size") |
|
| 71 |
+} |
|
| 72 |
+ |
|
| 73 |
+ |
|
| 74 |
+ |
|
| 75 |
+ |
|
| 76 |
+ |
|
| 77 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 78 |
+ \partial 4*1 c,4 | \partial 4*1 c4 | \partial 4*1 r4 | \partial 4*1 r4 | |
|
| 79 |
+ f4 f g8( a) | f4 f g8( a) | r2. | r2. | |
|
| 80 |
+ f4 f a8( bf) | f4 f f8( g) | r2. | r2. | |
|
| 81 |
+ c4 c d | a4. g8 f4 | r2. | r2. | |
|
| 82 |
+ bf2 \bar "||" g8( a) | g2 \bar "||" d4 | r4 r4 \bar "||" bf,8( a) | r4 r4 \bar "||" |
|
| 83 |
+ \break g8( f) | |
|
| 84 |
+ |
|
| 85 |
+ |
|
| 86 |
+ |
|
| 87 |
+ bf4 bf c | g4. f8 g4 | g4 g c | e4 e e | |
|
| 88 |
+ a4 a f8( a) | f4 f4 f4 | c4 c d8( c) | f4. e8 d4 | |
|
| 89 |
+ g4 d f | d4. c8 d4 | b4 a b4 | g4 g g | |
|
| 90 |
+ e2 \bar "||" |
|
| 91 |
+ \break c4 | c2 \bar "||" c4 | c2 \bar "||" r4 | c,2 \bar "||" r4 | |
|
| 92 |
+ |
|
| 93 |
+ |
|
| 94 |
+ |
|
| 95 |
+ f4 f g8( a) | f4 f g8( a) | r2. | r2. | |
|
| 96 |
+ f4 f a8( bf) | f4 f f8( g) | r2. | r2. | |
|
| 97 |
+ c4 c d | a4. g8 f4 | r2. | r2. | |
|
| 98 |
+ bf2 \bar "||" g8( a) | g2 \bar "||" d4 | r4 r4 \bar "||" bf8( a) | r4 r4 \bar "||"\break g'8 f | |
|
| 99 |
+ |
|
| 100 |
+ |
|
| 101 |
+ |
|
| 102 |
+ bf4 bf c | g4. f8 g4 | g4 g c | e4. d8 e4 | |
|
| 103 |
+ a4 a f8( a) | f4 f f8( e) | c4 c c | f4 f a, | |
|
| 104 |
+ g4 d e | d4 d4 c8( bf) | bf8([d)] c([ bf)]a([ g)] | bf4 g c | |
|
| 105 |
+ f2 \bar "||" | a2 \bar "||" | f2 \bar "||" | f,2 \bar "||" | |
|
| 106 |
+} |
|
| 107 |
+ |
|
| 108 |
+\score {
|
|
| 109 |
+ \header{
|
|
| 110 |
+ } |
|
| 111 |
+ |
|
| 112 |
+ \new ChoirStaff \with {
|
|
| 113 |
+ \override RestCollision.positioning-done = #merge-rests-on-positioning |
|
| 114 |
+ } << |
|
| 115 |
+ \new Staff = "female" {
|
|
| 116 |
+ \time 3/4 |
|
| 117 |
+ \key f \major |
|
| 118 |
+ \new Voice = "women" << |
|
| 119 |
+ \relative c'' {
|
|
| 120 |
+ {\voiceOne \soprano}
|
|
| 121 |
+ } |
|
| 122 |
+ \new Voice = "altos" {\relative c' { \voiceTwo \alto }}
|
|
| 123 |
+ >> |
|
| 124 |
+ } |
|
| 125 |
+ \new Lyrics {
|
|
| 126 |
+ \lyricsto "women" {
|
|
| 127 |
+ \set stanza = #"1. " |
|
| 128 |
+ A -- way in a man -- ger, No crib for a bed, |
|
| 129 |
+ The lit -- tle Lord Je -- sus Laid down his sweet head. |
|
| 130 |
+ The stars in the bright sky Look'd down where he lay, |
|
| 131 |
+ The little Lord Je -- sus A -- sleep on the hay. |
|
| 132 |
+ } |
|
| 133 |
+ } |
|
| 134 |
+ \new Lyrics {
|
|
| 135 |
+ \lyricsto "women" {
|
|
| 136 |
+ \set stanza = #"2. " |
|
| 137 |
+ The cat -- tle are low -- ing, The ba -- by a -- wakes, |
|
| 138 |
+ But lit -- tle Lord Je -- sus No cry -- ing he makes. |
|
| 139 |
+ I love thee, Lord Je -- sus! Look down from the sky, |
|
| 140 |
+ And stay by my cra -- dle Till morn -- ing is nigh. |
|
| 141 |
+ } |
|
| 142 |
+ } |
|
| 143 |
+ \new Lyrics {
|
|
| 144 |
+ \lyricsto "women" {
|
|
| 145 |
+ \set stanza = #"3. " |
|
| 146 |
+ Be near me, Lord Je -- sus; I ask thee to stay |
|
| 147 |
+ Close by me for -- ev -- er, And love me, I pray. |
|
| 148 |
+ Bless all the dear chil -- dren In thy ten -- der care, |
|
| 149 |
+ And fit us for hea -- ven, To live with thee there. |
|
| 150 |
+ } |
|
| 151 |
+ } |
|
| 152 |
+ \new Staff = "male" {
|
|
| 153 |
+ \time 3/4 |
|
| 154 |
+ \clef bass |
|
| 155 |
+ \key f \major |
|
| 156 |
+ \new Voice = "men" << |
|
| 157 |
+ \relative c'' {
|
|
| 158 |
+ {\voiceOne \tenor}
|
|
| 159 |
+ } |
|
| 160 |
+ \new Voice = "basses" {\relative c' { \voiceTwo \bass }}
|
|
| 161 |
+ >> |
|
| 162 |
+ } |
|
| 163 |
+ >> |
|
| 164 |
+ |
|
| 165 |
+ |
|
| 166 |
+ \layout {
|
|
| 167 |
+ indent = 0.0\cm |
|
| 168 |
+ \context {
|
|
| 169 |
+ \Lyrics |
|
| 170 |
+ \override LyricText #'font-size = #-2 |
|
| 171 |
+ } |
|
| 172 |
+ } |
|
| 173 |
+ \midi { }
|
|
| 174 |
+} |
|
| 175 |
+ |
|
| 176 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
|
| 177 |
+ |
|
| 178 |
+\end{lilypond}
|
| 0 | 179 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,184 @@ |
| 1 |
+\begin{lilypond}
|
|
| 2 |
+ |
|
| 3 |
+\language "english" |
|
| 4 |
+ |
|
| 5 |
+#(set-global-staff-size 14) |
|
| 6 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.5 in) (* 6.75 in))) paper-alist))
|
|
| 7 |
+ |
|
| 8 |
+#(define (rest-score r) |
|
| 9 |
+ (let ((score 0) |
|
| 10 |
+ (yoff (ly:grob-property-data r 'Y-offset)) |
|
| 11 |
+ (sp (ly:grob-property-data r 'staff-position))) |
|
| 12 |
+ (if (number? yoff) |
|
| 13 |
+ (set! score (+ score 2)) |
|
| 14 |
+ (if (eq? yoff 'calculation-in-progress) |
|
| 15 |
+ (set! score (- score 3)))) |
|
| 16 |
+ (and (number? sp) |
|
| 17 |
+ (<= 0 2 sp) |
|
| 18 |
+ (set! score (+ score 2)) |
|
| 19 |
+ (set! score (- score (abs (- 1 sp))))) |
|
| 20 |
+ score)) |
|
| 21 |
+ |
|
| 22 |
+ |
|
| 23 |
+#(define (merge-rests-on-positioning grob) |
|
| 24 |
+ (let* ((can-merge #f) |
|
| 25 |
+ (elts (ly:grob-object grob 'elements)) |
|
| 26 |
+ (num-elts (and (ly:grob-array? elts) |
|
| 27 |
+ (ly:grob-array-length elts))) |
|
| 28 |
+ (two-voice? (= num-elts 2))) |
|
| 29 |
+ (if two-voice? |
|
| 30 |
+ (let* ((v1-grob (ly:grob-array-ref elts 0)) |
|
| 31 |
+ (v2-grob (ly:grob-array-ref elts 1)) |
|
| 32 |
+ (v1-rest (ly:grob-object v1-grob 'rest)) |
|
| 33 |
+ (v2-rest (ly:grob-object v2-grob 'rest))) |
|
| 34 |
+ (and |
|
| 35 |
+ (ly:grob? v1-rest) |
|
| 36 |
+ (ly:grob? v2-rest) |
|
| 37 |
+ (let* ((v1-duration-log (ly:grob-property v1-rest 'duration-log)) |
|
| 38 |
+ (v2-duration-log (ly:grob-property v2-rest 'duration-log)) |
|
| 39 |
+ (v1-dot (ly:grob-object v1-rest 'dot)) |
|
| 40 |
+ (v2-dot (ly:grob-object v2-rest 'dot)) |
|
| 41 |
+ (v1-dot-count (and (ly:grob? v1-dot) |
|
| 42 |
+ (ly:grob-property v1-dot 'dot-count -1))) |
|
| 43 |
+ (v2-dot-count (and (ly:grob? v2-dot) |
|
| 44 |
+ (ly:grob-property v2-dot 'dot-count -1)))) |
|
| 45 |
+ (set! can-merge |
|
| 46 |
+ (and |
|
| 47 |
+ (number? v1-duration-log) |
|
| 48 |
+ (number? v2-duration-log) |
|
| 49 |
+ (= v1-duration-log v2-duration-log) |
|
| 50 |
+ (eq? v1-dot-count v2-dot-count))) |
|
| 51 |
+ (if can-merge |
|
| 52 |
+ ;; keep the rest that looks best: |
|
| 53 |
+ (let* ((keep-v1? (>= (rest-score v1-rest) |
|
| 54 |
+ (rest-score v2-rest))) |
|
| 55 |
+ (rest-to-keep (if keep-v1? v1-rest v2-rest)) |
|
| 56 |
+ (dot-to-kill (if keep-v1? v2-dot v1-dot))) |
|
| 57 |
+ ;; uncomment if you're curious of which rest was chosen: |
|
| 58 |
+ ;;(ly:grob-set-property! v1-rest 'color green) |
|
| 59 |
+ ;;(ly:grob-set-property! v2-rest 'color blue) |
|
| 60 |
+ (ly:grob-suicide! (if keep-v1? v2-rest v1-rest)) |
|
| 61 |
+ (if (ly:grob? dot-to-kill) |
|
| 62 |
+ (ly:grob-suicide! dot-to-kill)) |
|
| 63 |
+ (ly:grob-set-property! rest-to-keep 'direction 0) |
|
| 64 |
+ (ly:rest::y-offset-callback rest-to-keep))))))) |
|
| 65 |
+ (if can-merge |
|
| 66 |
+ #t |
|
| 67 |
+ (ly:rest-collision::calc-positioning-done grob)))) |
|
| 68 |
+ |
|
| 69 |
+\paper {
|
|
| 70 |
+ #(define fonts |
|
| 71 |
+ (make-pango-font-tree "Alegreya" |
|
| 72 |
+ "Alegreya Sans" |
|
| 73 |
+ "Source Code Pro" |
|
| 74 |
+ (/ staff-height pt 20))) |
|
| 75 |
+ |
|
| 76 |
+ #(set-paper-size "my size") |
|
| 77 |
+} |
|
| 78 |
+ |
|
| 79 |
+ |
|
| 80 |
+ |
|
| 81 |
+ |
|
| 82 |
+ |
|
| 83 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 84 |
+ \partial 4*1 c,4 | \partial 4*1 c4 | \partial 4*1 r4 | \partial 4*1 r4 | |
|
| 85 |
+ f4 f g8( a) | f4 f g8( a) | r2. | r2. | |
|
| 86 |
+ f4 f a8( bf) | f4 f f8( g) | r2. | r2. | |
|
| 87 |
+ c4 c d | a4. g8 f4 | r2. | r2. | |
|
| 88 |
+ bf2 \bar "||" g8( a) | g2 \bar "||" d4 | r4 r4 \bar "||" bf,8( a) | r4 r4 \bar "||" |
|
| 89 |
+ \break g8( f) | |
|
| 90 |
+ |
|
| 91 |
+ |
|
| 92 |
+ |
|
| 93 |
+ bf4 bf c | g4. f8 g4 | g4 g c | e4 e e | |
|
| 94 |
+ a4 a f8( a) | f4 f4 f4 | c4 c d8( c) | f4. e8 d4 | |
|
| 95 |
+ g4 d f | d4. c8 d4 | b4 a b4 | g4 g g | |
|
| 96 |
+ e2 \bar "||" |
|
| 97 |
+ \break c4 | c2 \bar "||" c4 | c2 \bar "||" r4 | c,2 \bar "||" r4 | |
|
| 98 |
+ |
|
| 99 |
+ |
|
| 100 |
+ |
|
| 101 |
+ f4 f g8( a) | f4 f g8( a) | r2. | r2. | |
|
| 102 |
+ f4 f a8( bf) | f4 f f8( g) | r2. | r2. | |
|
| 103 |
+ c4 c d | a4. g8 f4 | r2. | r2. | |
|
| 104 |
+ bf2 \bar "||" g8( a) | g2 \bar "||" d4 | r4 r4 \bar "||" bf8( a) | r4 r4 \bar "||"\break g'8 f | |
|
| 105 |
+ |
|
| 106 |
+ |
|
| 107 |
+ |
|
| 108 |
+ bf4 bf c | g4. f8 g4 | g4 g c | e4. d8 e4 | |
|
| 109 |
+ a4 a f8( a) | f4 f f8( e) | c4 c c | f4 f a, | |
|
| 110 |
+ g4 d e | d4 d4 c8( bf) | bf8([d)] c([ bf)]a([ g)] | bf4 g c | |
|
| 111 |
+ f2 \bar "||" | a2 \bar "||" | f2 \bar "||" | f,2 \bar "||" | |
|
| 112 |
+} |
|
| 113 |
+ |
|
| 114 |
+\score {
|
|
| 115 |
+ \header{
|
|
| 116 |
+ } |
|
| 117 |
+ |
|
| 118 |
+ \new ChoirStaff \with {
|
|
| 119 |
+ \override RestCollision.positioning-done = #merge-rests-on-positioning |
|
| 120 |
+ } << |
|
| 121 |
+ \new Staff = "female" {
|
|
| 122 |
+ \time 3/4 |
|
| 123 |
+ \key f \major |
|
| 124 |
+ \new Voice = "women" << |
|
| 125 |
+ \relative c'' {
|
|
| 126 |
+ {\voiceOne \soprano}
|
|
| 127 |
+ } |
|
| 128 |
+ \new Voice = "altos" {\relative c' { \voiceTwo \alto }}
|
|
| 129 |
+ >> |
|
| 130 |
+ } |
|
| 131 |
+ \new Lyrics {
|
|
| 132 |
+ \lyricsto "women" {
|
|
| 133 |
+ \set stanza = #"1. " |
|
| 134 |
+ A -- way in a man -- ger, No crib for a bed, |
|
| 135 |
+ The lit -- tle Lord Je -- sus Laid down his sweet head. |
|
| 136 |
+ The stars in the bright sky Look'd down where he lay, |
|
| 137 |
+ The lit -- tle Lord Je -- sus A -- sleep on the hay. |
|
| 138 |
+ } |
|
| 139 |
+ } |
|
| 140 |
+ \new Lyrics {
|
|
| 141 |
+ \lyricsto "women" {
|
|
| 142 |
+ \set stanza = #"2. " |
|
| 143 |
+ The cat -- tle are low -- ing, The ba -- by a -- wakes, |
|
| 144 |
+ But lit -- tle Lord Je -- sus No cry -- ing he makes. |
|
| 145 |
+ I love thee, Lord Je -- sus! Look down from the sky, |
|
| 146 |
+ And stay by my cra -- dle Till morn -- ing is nigh. |
|
| 147 |
+ } |
|
| 148 |
+ } |
|
| 149 |
+ \new Lyrics {
|
|
| 150 |
+ \lyricsto "women" {
|
|
| 151 |
+ \set stanza = #"3. " |
|
| 152 |
+ Be near me, Lord Je -- sus; I ask thee to stay |
|
| 153 |
+ Close by me for -- ev -- er, And love me, I pray. |
|
| 154 |
+ Bless all the dear chil -- dren In thy ten -- der care, |
|
| 155 |
+ And fit us for hea -- ven, To live with thee there. |
|
| 156 |
+ } |
|
| 157 |
+ } |
|
| 158 |
+ \new Staff = "male" {
|
|
| 159 |
+ \time 3/4 |
|
| 160 |
+ \clef bass |
|
| 161 |
+ \key f \major |
|
| 162 |
+ \new Voice = "men" << |
|
| 163 |
+ \relative c'' {
|
|
| 164 |
+ {\voiceOne \tenor}
|
|
| 165 |
+ } |
|
| 166 |
+ \new Voice = "basses" {\relative c' { \voiceTwo \bass }}
|
|
| 167 |
+ >> |
|
| 168 |
+ } |
|
| 169 |
+ >> |
|
| 170 |
+ |
|
| 171 |
+ |
|
| 172 |
+ \layout {
|
|
| 173 |
+ indent = 0.0\cm |
|
| 174 |
+ \context {
|
|
| 175 |
+ \Lyrics |
|
| 176 |
+ \override LyricText #'font-size = #1 |
|
| 177 |
+ } |
|
| 178 |
+ } |
|
| 179 |
+ \midi { }
|
|
| 180 |
+} |
|
| 181 |
+ |
|
| 182 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
|
| 183 |
+ |
|
| 184 |
+\end{lilypond}
|
| 0 | 185 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,50 @@ |
| 1 |
+\begin{People}
|
|
| 2 |
+ \begin{paracol}{2}
|
|
| 3 |
+ \raggedbottom{}
|
|
| 4 |
+ \ensurevspace{6\baselineskip}
|
|
| 5 |
+ \abnormalparskip{0pt}
|
|
| 6 |
+ \trLines{I believe in one God, the Father almighty,}{Creo en un solo Dios todopoderoso,}
|
|
| 7 |
+ \trLines{Maker of heaven and earth,}{Creador del cielo y de la tierra,}
|
|
| 8 |
+ \trLines{Of all things visible and invisible.\bigskip}{De todo lo visible y lo invisible.\bigskip}
|
|
| 9 |
+ |
|
| 10 |
+ \trLines{I believe in one Lord Jesus Christ,}{Creo en un solo Señor, Jesucristo,}
|
|
| 11 |
+ \trLines{The Only Begotten Son of God,}{Hijo Único de Dios,}
|
|
| 12 |
+ \trLines{Born of the Father before all ages.}{Nacido del Padre antes de todos los siglos:}
|
|
| 13 |
+ \trLines{God from God, Light from Light,}{Dios de Dios, Luz de Luz, }
|
|
| 14 |
+ \trLines{True God from true God,}{Dios verdadero de Dios verdadero}
|
|
| 15 |
+ \trLines{Begotten, not made, consubstantial with the Father;}{Engendrado, no creado, de la misma naturaleza del Padre,}
|
|
| 16 |
+ \trLines{Through him all things were made.}{Por quien todo fue hecho;}
|
|
| 17 |
+ \trLines{For us men and for our salvation he came down from heaven,\bigskip}{Que por nosotros, los hombres, y Por, nuestra salvación bajó del cielo\bigskip}
|
|
| 18 |
+ |
|
| 19 |
+ \bigskip |
|
| 20 |
+ {\mdseries{}\footnotesize{}\posture{At the words that follow up to and including and became man, all bow}}
|
|
| 21 |
+ \bigskip |
|
| 22 |
+ \switchcolumn{}
|
|
| 23 |
+ |
|
| 24 |
+ \bigskip |
|
| 25 |
+ \textspanish{\mdseries \posture{\footnotesize{}En las palabras que siguen, hasta se hizo hombre, todos se inclinan}}
|
|
| 26 |
+ \bigskip |
|
| 27 |
+ \switchcolumn* |
|
| 28 |
+ |
|
| 29 |
+ \trLines{By the power of the Holy Spirit}{Y por obra del Espíritu Santo}
|
|
| 30 |
+ \trLines{He was born of the Virgin Mary, and became man.}{Se encarnó de Maria, la Virgen, y se hizo hombre;}
|
|
| 31 |
+ \trLines{For our sake he was crucified under Pontius Pilate;}{Y por nuestra causa fue crucificado en tiempos de Poncio Pilato;}
|
|
| 32 |
+ \trLines{He suffered, died, and was buried.}{Padeció y fue sepultado,}
|
|
| 33 |
+ \trLines{On the third day he rose again in fulfillment of the Scriptures;}{Y resucitó al tercer día, según las Escrituras,}
|
|
| 34 |
+ \trLines{He ascended into heaven and is seated at the right hand of the Father.}{Y subió al cielo, y está sentado a la derecha del Padre;}
|
|
| 35 |
+ \trLines{He will come again in glory to judge the living and the dead,}{Y de nuevo vendrá con gloria para juzgar a vivos y muertos,}
|
|
| 36 |
+ \trLines{And his kingdom will have no end.\bigskip}{Y su reino no tendrá fin.\bigskip}
|
|
| 37 |
+ |
|
| 38 |
+ \trLines{We believe in the Holy Spirit, the Lord, the giver of life,}{Creo en el Espíritu Santo, Señor y dador de vida,}
|
|
| 39 |
+ \trLines{Who proceeds from the Father and the Son.}{Que procede del Padre y del Hijo,}
|
|
| 40 |
+ \trLines{With the Father and the Son he is worshipped and glorified.}{Que con el Padre y el Hijo recibe una misma adoración y gloria,}
|
|
| 41 |
+ \trLines{He has spoken through the Prophets.\bigskip}{Y que habló por los profetas.\bigskip}
|
|
| 42 |
+ |
|
| 43 |
+ \trLines{We believe in one holy catholic and apostolic Church.}{Creo en la Iglesia, que es una, santa, católica y apostólica.}
|
|
| 44 |
+ \trLines{We acknowledge one baptism for the forgiveness of sins.}{Confieso que hay un solo bautismo para el perdón de los pecados.}
|
|
| 45 |
+ \trLines{We look for the resurrection of the dead,}{Espero la resurrección de los muertos}
|
|
| 46 |
+ \trLinesLast{And the life of the world to come. Amen.\bigskip}{Y la vida del mundo futuro. Amén.\bigskip}
|
|
| 47 |
+ \nonzeroparskip{}
|
|
| 48 |
+ \switchcolumn*{}
|
|
| 49 |
+ \end{paracol}
|
|
| 50 |
+\end{People}
|
| 0 | 51 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,230 @@ |
| 1 |
+\begin{paracol}{2}
|
|
| 2 |
+ |
|
| 3 |
+\RaggedRight{}
|
|
| 4 |
+\paragraph{P:} To you, therefore, most merciful Father,
|
|
| 5 |
+we make humble prayer and petition |
|
| 6 |
+through Jesus Christ, your Son, our Lord: that you accept |
|
| 7 |
+and bless these gifts, these offerings, |
|
| 8 |
+these holy and unblemished sacrifices, |
|
| 9 |
+which we offer you firstly |
|
| 10 |
+for your holy catholic Church. |
|
| 11 |
+Be pleased to grant her peace, |
|
| 12 |
+to guard, unite and govern her |
|
| 13 |
+throughout the whole world, |
|
| 14 |
+together with your servant Francis our Pope |
|
| 15 |
+and Donald our Bishop, |
|
| 16 |
+and all those who, holding to the truth, |
|
| 17 |
+hand on the catholic and apostolic faith. |
|
| 18 |
+\switchcolumn |
|
| 19 |
+ |
|
| 20 |
+\switchcolumn* |
|
| 21 |
+ |
|
| 22 |
+Remember, Lord, your servants N. and N. |
|
| 23 |
+and all gathered here, |
|
| 24 |
+whose faith and devotion are known to you. |
|
| 25 |
+For them, we offer you this sacrifice of praise |
|
| 26 |
+or they offer it for themselves |
|
| 27 |
+and all who are dear to them: |
|
| 28 |
+for the redemption of their souls, |
|
| 29 |
+in hope of health and well-being, |
|
| 30 |
+and paying their homage to you, |
|
| 31 |
+the eternal God, living and true. |
|
| 32 |
+\switchcolumn |
|
| 33 |
+ |
|
| 34 |
+\switchcolumn* |
|
| 35 |
+ |
|
| 36 |
+In communion with those whose memory we venerate, |
|
| 37 |
+especially the glorious ever-Virgin Mary, |
|
| 38 |
+Mother of our God and Lord, Jesus Christ, |
|
| 39 |
+† and blessed Joseph, her Spouse, |
|
| 40 |
+your blessed Apostles and Martyrs, |
|
| 41 |
+Peter and Paul, Andrew, |
|
| 42 |
+\textit{(James, John,
|
|
| 43 |
+ Thomas, James, Philip, |
|
| 44 |
+ Bartholomew, Matthew, |
|
| 45 |
+ Simon and Jude; |
|
| 46 |
+ Linus, Cletus, Clement, Sixtus, |
|
| 47 |
+ Cornelius, Cyprian, |
|
| 48 |
+ Lawrence, Chrysogonus, |
|
| 49 |
+ John and Paul, |
|
| 50 |
+Cosmas and Damian)} |
|
| 51 |
+and all your Saints; |
|
| 52 |
+we ask that through their merits and prayers, |
|
| 53 |
+in all things we may be defended |
|
| 54 |
+by your protecting help. |
|
| 55 |
+ |
|
| 56 |
+\textit{(Through Christ our Lord. Amen.)}
|
|
| 57 |
+\switchcolumn |
|
| 58 |
+ |
|
| 59 |
+\switchcolumn* |
|
| 60 |
+ |
|
| 61 |
+ |
|
| 62 |
+Celebrating the most sacred night (day) on which blessed Mary the immaculate |
|
| 63 |
+Virgin brought forth the Savior for this world, and in communion with those |
|
| 64 |
+whose memory we venerate, especially the glorious ever-Virgin Mary, Mother of |
|
| 65 |
+our God and Lord, Jesus Christ, † |
|
| 66 |
+\switchcolumn |
|
| 67 |
+ |
|
| 68 |
+\switchcolumn* |
|
| 69 |
+ |
|
| 70 |
+ |
|
| 71 |
+ |
|
| 72 |
+\paragraph{P:} On the day before he was to suffer,
|
|
| 73 |
+he took bread in his holy and venerable hands, |
|
| 74 |
+and with eyes raised to heaven |
|
| 75 |
+to you, O God, his almighty Father, |
|
| 76 |
+giving you thanks, he said the blessing, |
|
| 77 |
+broke the bread |
|
| 78 |
+and gave it to his disciples, saying: |
|
| 79 |
+\switchcolumn |
|
| 80 |
+ |
|
| 81 |
+\switchcolumn* |
|
| 82 |
+ |
|
| 83 |
+\textsc{Take This, All of You, and Eat of It,
|
|
| 84 |
+for This Is My Body, |
|
| 85 |
+Which Will be Given up for You.} |
|
| 86 |
+\switchcolumn |
|
| 87 |
+ |
|
| 88 |
+\switchcolumn* |
|
| 89 |
+ |
|
| 90 |
+\paragraph{P:} In a similar way, when supper was ended
|
|
| 91 |
+he took this precious chalice |
|
| 92 |
+in his holy and venerable hands, |
|
| 93 |
+and once more giving you thanks, he said the blessing |
|
| 94 |
+and gave the chalice to his disciples, saying: |
|
| 95 |
+\switchcolumn |
|
| 96 |
+ |
|
| 97 |
+\switchcolumn* |
|
| 98 |
+ |
|
| 99 |
+\textsc{%
|
|
| 100 |
+Take This, All of You, and Drink from It, |
|
| 101 |
+for This Is The Chalice of My Blood, |
|
| 102 |
+The Blood of The New And Eternal Covenant, |
|
| 103 |
+Which Will Be Poured out for You And for Many |
|
| 104 |
+For The Forgiveness of Sins. |
|
| 105 |
+Do This in Memory of Me.} |
|
| 106 |
+\switchcolumn |
|
| 107 |
+ |
|
| 108 |
+\switchcolumn* |
|
| 109 |
+ |
|
| 110 |
+\paragraph{P:} The mystery of faith.
|
|
| 111 |
+\end{paracol}
|
|
| 112 |
+ |
|
| 113 |
+\begin{paracol}{3}
|
|
| 114 |
+We proclaim your Death, O Lord, |
|
| 115 |
+and profess your Resurrection |
|
| 116 |
+until you come again. |
|
| 117 |
+\switchcolumn{}
|
|
| 118 |
+When we eat this Bread and drink this Cup, |
|
| 119 |
+we proclaim your Death, O Lord, |
|
| 120 |
+until you come again. |
|
| 121 |
+\switchcolumn{}
|
|
| 122 |
+Save us, Savior of the world, |
|
| 123 |
+for by your Cross and Resurrection |
|
| 124 |
+you have set us free. |
|
| 125 |
+\end{paracol}
|
|
| 126 |
+ |
|
| 127 |
+\begin{paracol}{2}
|
|
| 128 |
+\paragraph{P:} Therefore, O Lord,
|
|
| 129 |
+as we celebrate the memorial of the blessed Passion, |
|
| 130 |
+the Resurrection from the dead, |
|
| 131 |
+and the glorious Ascension into heaven |
|
| 132 |
+of Christ, your Son, our Lord, |
|
| 133 |
+we, your servants and your holy people, |
|
| 134 |
+offer to your glorious majesty |
|
| 135 |
+from the gifts that you have given us, |
|
| 136 |
+this pure victim, |
|
| 137 |
+this holy victim, |
|
| 138 |
+this spotless victim, |
|
| 139 |
+the holy Bread of eternal life |
|
| 140 |
+and the Chalice of everlasting salvation. |
|
| 141 |
+\switchcolumn |
|
| 142 |
+ |
|
| 143 |
+\switchcolumn* |
|
| 144 |
+ |
|
| 145 |
+Be pleased to look upon these offerings |
|
| 146 |
+with a serene and kindly countenance, |
|
| 147 |
+and to accept them, |
|
| 148 |
+as once you were pleased to accept |
|
| 149 |
+the gifts of your servant Abel the just, |
|
| 150 |
+the sacrifice of Abraham, our father in faith, |
|
| 151 |
+and the offering of your high priest Melchizedek, |
|
| 152 |
+a holy sacrifice, a spotless victim. |
|
| 153 |
+\switchcolumn |
|
| 154 |
+ |
|
| 155 |
+\switchcolumn* |
|
| 156 |
+ |
|
| 157 |
+In humble prayer we ask you, almighty God: |
|
| 158 |
+command that these gifts be borne |
|
| 159 |
+by the hands of your holy Angel |
|
| 160 |
+to your altar on high |
|
| 161 |
+in the sight of your divine majesty, |
|
| 162 |
+so that all of us, who through this participation at the altar |
|
| 163 |
+receive the most holy Body and Blood of your Son, |
|
| 164 |
+may be filled with every grace and heavenly blessing. |
|
| 165 |
+ |
|
| 166 |
+\textit{(Through Christ our Lord. Amen.)}
|
|
| 167 |
+\switchcolumn |
|
| 168 |
+ |
|
| 169 |
+\switchcolumn* |
|
| 170 |
+ |
|
| 171 |
+Remember also, Lord, your servants N. and N., |
|
| 172 |
+who have gone before us with the sign of faith |
|
| 173 |
+and rest in the sleep of peace. |
|
| 174 |
+\switchcolumn |
|
| 175 |
+ |
|
| 176 |
+\switchcolumn* |
|
| 177 |
+ |
|
| 178 |
+Grant them, O Lord, we pray, |
|
| 179 |
+and all who sleep in Christ, |
|
| 180 |
+a place of refreshment, light and peace. |
|
| 181 |
+ |
|
| 182 |
+\textit{(Through Christ our Lord. Amen.)}
|
|
| 183 |
+\switchcolumn |
|
| 184 |
+ |
|
| 185 |
+\switchcolumn* |
|
| 186 |
+ |
|
| 187 |
+To us, also, your servants, who, though sinners, |
|
| 188 |
+who hope in your abundant mercies, |
|
| 189 |
+graciously grant some share |
|
| 190 |
+and fellowship with your holy Apostles and Martyrs: |
|
| 191 |
+with John the Baptist, Stephen, |
|
| 192 |
+Matthias, Barnabas, |
|
| 193 |
+\textit{(Ignatius, Alexander,
|
|
| 194 |
+Marcellinus, Peter, |
|
| 195 |
+Felicity, Perpetua |
|
| 196 |
+Agatha, Lucy, |
|
| 197 |
+Agnes, Cecilia, Anastasia)} |
|
| 198 |
+and all your Saints; |
|
| 199 |
+admit us, we beseech you, |
|
| 200 |
+into their company, |
|
| 201 |
+not weighing our merits, |
|
| 202 |
+but granting us your pardon, |
|
| 203 |
+through Christ our Lord. |
|
| 204 |
+\switchcolumn |
|
| 205 |
+ |
|
| 206 |
+\switchcolumn* |
|
| 207 |
+ |
|
| 208 |
+ |
|
| 209 |
+Through whom |
|
| 210 |
+you continue to make all these good things, O Lord; |
|
| 211 |
+you sanctify them, fill them with life, |
|
| 212 |
+bless them, and bestow them upon us. |
|
| 213 |
+\switchcolumn |
|
| 214 |
+ |
|
| 215 |
+\switchcolumn* |
|
| 216 |
+ |
|
| 217 |
+ |
|
| 218 |
+Through him, and with him, and in him, |
|
| 219 |
+O God, almighty Father, |
|
| 220 |
+in the unity of the Holy Spirit, |
|
| 221 |
+all glory and honor is yours, |
|
| 222 |
+for ever and ever. |
|
| 223 |
+\switchcolumn |
|
| 224 |
+ |
|
| 225 |
+\switchcolumn* |
|
| 226 |
+ |
|
| 227 |
+ |
|
| 228 |
+\paragraph{C:} Amen
|
|
| 229 |
+ |
|
| 230 |
+\end{paracol}
|
| 0 | 231 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,14 @@ |
| 1 |
+{%
|
|
| 2 |
+\parindent 0pt |
|
| 3 |
+\noindent |
|
| 4 |
+\ifx\preLilyPondExample \undefined |
|
| 5 |
+\else |
|
| 6 |
+ \expandafter\preLilyPondExample |
|
| 7 |
+\fi |
|
| 8 |
+\def\lilypondbook{}%
|
|
| 9 |
+\input{10/lily-d3d4a0f6-systems.tex}
|
|
| 10 |
+\ifx\postLilyPondExample \undefined |
|
| 11 |
+\else |
|
| 12 |
+ \expandafter\postLilyPondExample |
|
| 13 |
+\fi |
|
| 14 |
+} |
| 0 | 15 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,126 @@ |
| 1 |
+\language "english" |
|
| 2 |
+ |
|
| 3 |
+#(set-global-staff-size 14) |
|
| 4 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.5 in) (* 7 in))) paper-alist))
|
|
| 5 |
+\paper {
|
|
| 6 |
+ #(set-paper-size "my size") |
|
| 7 |
+ between-system-space = 0.05 \mm |
|
| 8 |
+ |
|
| 9 |
+ #(define fonts |
|
| 10 |
+ (make-pango-font-tree "Alegreya" |
|
| 11 |
+ "Alegreya Sans" |
|
| 12 |
+ "Source Code Pro" |
|
| 13 |
+ (/ staff-height pt 0))) |
|
| 14 |
+ |
|
| 15 |
+ |
|
| 16 |
+} |
|
| 17 |
+ |
|
| 18 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 19 |
+ bf4 g8 ef4 g8 bf4 c8 bf4. bf4 g8 ef8 ef8 g8 bf4 c8 bf4. af4 af8 af8 af8 bf8 | |
|
| 20 |
+ ef4 ef8 ef4 bf8 ef4 ef8 ef4. ef4 ef8 ef ef bf ef4 ef8 ef4. c4 ef8 d c bf8 | |
|
| 21 |
+ g4 af8 bf4 af8 g4 f8 g4. g4 af8 bf bf af g4 f8 g4. af4 bf8 af g f | |
|
| 22 |
+ r4 r8 r4 r8 r4 r8 r4. r4 r8 r r r r4 r8 r4. r4 r8 r r r | |
|
| 23 |
+ |
|
| 24 |
+ af4 g8 f4 g8 bf4 g8 ef4 g8 f4 ef8 f4 g8 ef4. ef4 \bar "||" ef8 | |
|
| 25 |
+ c8( d) ef8 d4 d8 bf8( c) d8 ef4 d8 c4 c8 ef4 d8 c4. bf4 \bar "||" ef8 | |
|
| 26 |
+ ef4 ef8 f4 d8 g4 g8 g4 ef8 af4 g8 af4 bf8 af4. g4 \bar "||" ef8 | |
|
| 27 |
+ r4 r8 r4 r8 r4 r8 r4 r8 r4 r8 r4 r8 r4. r4 \bar "||" ef8 | |
|
| 28 |
+ |
|
| 29 |
+ bf'4 bf8 bf bf bf ef4 d8 c4 bf8 ef4 d8 c4 bf8 bf4 a8 bf4. ef,4 f8 g g af | |
|
| 30 |
+ bf4 c8 d c d ef8( f) g8 af8( g) f ef8( f) g bf8( af) g f4 f8 f4. ef4 ef8 ef ef f | |
|
| 31 |
+ g4 ef8 f ef f g4 bf8 ef4 d8 c4 bf8 ef4 d8 c4 c8 d4. c4 e8 d d c | |
|
| 32 |
+ ef4 ef8 ef ef ef ef4 ef8 f4 f8 g4 g8 ef4 ef8 f4 f8 bf,4. c4 c'8 bf bf af | |
|
| 33 |
+ |
|
| 34 |
+ bf4 af8 g4 af8 f4 f8 ef4. bf'4. g4. bf4. g4. ef4 f8 g4 bf8 | |
|
| 35 |
+ g4 f8 ef4 ef8 ef4 d8 ef4. d4. ef4. f4. g4. c,4 d8 ef4 bf8 | |
|
| 36 |
+ bf4 bf8 c4 c8 c4 bf8 g4. f4. g4. af4. bf4. c4 c8 bf4 bf8 | |
|
| 37 |
+ g4 g8 c,4 bf8 af4 bf8 ef4. ef4. ef4. ef4. ef4. af4 af8 g4 g8 | |
|
| 38 |
+ |
|
| 39 |
+ |
|
| 40 |
+ af4 g8 f4 g8 ef4. ef \bar"||" | |
|
| 41 |
+ ef4 ef8 c4 d8 c( bf af) bf4. \bar"||" | |
|
| 42 |
+ c4 bf8 af4 bf8 af( g f) ef4. \bar"||" | |
|
| 43 |
+ f4 f8 bf,4 bf8 ef4. ef \bar"||" | |
|
| 44 |
+} |
|
| 45 |
+ |
|
| 46 |
+\score {
|
|
| 47 |
+\header{
|
|
| 48 |
+} |
|
| 49 |
+ |
|
| 50 |
+\new ChoirStaff << |
|
| 51 |
+ \new Staff = "female" {
|
|
| 52 |
+ \time 6/8 |
|
| 53 |
+ \key ef \major |
|
| 54 |
+ \new Voice = "women" << |
|
| 55 |
+ \relative c'' {
|
|
| 56 |
+ {\voiceOne \soprano}
|
|
| 57 |
+ } |
|
| 58 |
+ \new Voice = "altos" {\relative c' { \voiceTwo \alto }}
|
|
| 59 |
+ >> |
|
| 60 |
+ } |
|
| 61 |
+ \new Lyrics {
|
|
| 62 |
+ \lyricsto "women" {
|
|
| 63 |
+ \set stanza = #"1. " |
|
| 64 |
+ Jo -- seph dear -- est, Jo -- seph mine, Help me cra -- dle the child di -- vine; |
|
| 65 |
+ God re -- ward thee and all __ that's thine In pa -- ra -- dise, So prays the mo -- ther |
|
| 66 |
+ Ma -- ry. |
|
| 67 |
+ |
|
| 68 |
+ He came a -- mong us at Christ -- mas -- tide At Christ -- mas -- tide, In Beth -- le -- hem; |
|
| 69 |
+ Men shall bring him from far and wide Love's di -- a -- dem: Je -- sus, Je -- sus, Lo, he comes, |
|
| 70 |
+ and loves, and saes, and frees us! |
|
| 71 |
+ } |
|
| 72 |
+ } |
|
| 73 |
+ \new Lyrics {
|
|
| 74 |
+ \lyricsto "women" {
|
|
| 75 |
+ \set stanza = #"2. " |
|
| 76 |
+ Glad -- ly, dear one, la -- dy mine, Help I cra -- dle this child of thine; God's |
|
| 77 |
+ own light on us both __ shall shine In pa -- ra -- dise, As prays the mo -- ther Ma -- ry. |
|
| 78 |
+ } |
|
| 79 |
+ } |
|
| 80 |
+ \new Lyrics {
|
|
| 81 |
+ \lyricsto "women" {
|
|
| 82 |
+ \set stanza = #"3. " |
|
| 83 |
+ Peace to all that have good -- will! God, who hea -- ven and earth doth fill, Comes to turn |
|
| 84 |
+ us a -- way __ from ill, And lies so still With -- in the crib of Ma -- ry. |
|
| 85 |
+ } |
|
| 86 |
+ } |
|
| 87 |
+ \new Lyrics {
|
|
| 88 |
+ \lyricsto "women" {
|
|
| 89 |
+ \set stanza = #"4. " |
|
| 90 |
+ All shall come and bow the knee; Wise and hap -- py their souls shall be, Lov -- ing such |
|
| 91 |
+ a di -- vi -- ni -- ty, as all may see In Je -- sus, son of Ma -- ry. |
|
| 92 |
+ } |
|
| 93 |
+ } |
|
| 94 |
+ \new Lyrics {
|
|
| 95 |
+ \lyricsto "women" {
|
|
| 96 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 97 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 98 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 99 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 100 |
+ |
|
| 101 |
+ } |
|
| 102 |
+ } |
|
| 103 |
+ \new Staff = "male" {
|
|
| 104 |
+ \clef "bass" |
|
| 105 |
+ \relative c' {
|
|
| 106 |
+ \time 6/8 |
|
| 107 |
+ \key ef \major |
|
| 108 |
+ \new Voice = "men" << |
|
| 109 |
+ {\voiceOne \tenor}
|
|
| 110 |
+ \new Voice = "basses" { \voiceTwo \bass }
|
|
| 111 |
+ >> |
|
| 112 |
+ } |
|
| 113 |
+ } |
|
| 114 |
+>> |
|
| 115 |
+ |
|
| 116 |
+\layout {
|
|
| 117 |
+ indent = 0.0\cm |
|
| 118 |
+ \context {
|
|
| 119 |
+ \Lyrics |
|
| 120 |
+ \override LyricText #'font-size = #-2 |
|
| 121 |
+ } |
|
| 122 |
+} |
|
| 123 |
+ \midi { }
|
|
| 124 |
+} |
|
| 125 |
+ |
|
| 126 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
| 0 | 127 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,124 @@ |
| 1 |
+\begin{lilypond}
|
|
| 2 |
+\language "english" |
|
| 3 |
+ |
|
| 4 |
+#(set-global-staff-size 14) |
|
| 5 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.5 in) (* 6.75 in))) paper-alist))
|
|
| 6 |
+\paper {
|
|
| 7 |
+ #(define fonts |
|
| 8 |
+ (make-pango-font-tree "Alegreya" |
|
| 9 |
+ "Alegreya Sans" |
|
| 10 |
+ "Source Code Pro" |
|
| 11 |
+ (/ staff-height pt 20))) |
|
| 12 |
+ |
|
| 13 |
+ #(set-paper-size "my size") |
|
| 14 |
+ between-system-space = 0.05 \mm |
|
| 15 |
+ |
|
| 16 |
+} |
|
| 17 |
+ |
|
| 18 |
+\header{
|
|
| 19 |
+} |
|
| 20 |
+ |
|
| 21 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 22 |
+ bf4 g8 ef4 g8 bf4 c8 bf4. bf4 g8 ef8 ef8 g8 bf4 c8 bf4. af4 af8 af8 af8 bf8 | |
|
| 23 |
+ ef4 ef8 ef4 bf8 ef4 ef8 ef4. ef4 ef8 ef ef bf ef4 ef8 ef4. c4 ef8 d c bf8 | |
|
| 24 |
+ g4 af8 bf4 af8 g4 f8 g4. g4 af8 bf bf af g4 f8 g4. af4 bf8 af g f | |
|
| 25 |
+ r4 r8 r4 r8 r4 r8 r4. r4 r8 r r r r4 r8 r4. r4 r8 r r r | |
|
| 26 |
+ |
|
| 27 |
+ af4 g8 f4 g8 bf4 g8 ef4 g8 f4 ef8 f4 g8 ef4. ef4 \bar "||" ef8 | |
|
| 28 |
+ c8( d) ef8 d4 d8 bf8( c) d8 ef4 d8 c4 c8 ef4 d8 c4. bf4 \bar "||" ef8 | |
|
| 29 |
+ ef4 ef8 f4 d8 g4 g8 g4 ef8 af4 g8 af4 bf8 af4. g4 \bar "||" ef8 | |
|
| 30 |
+ r4 r8 r4 r8 r4 r8 r4 r8 r4 r8 r4 r8 r4. r4 \bar "||" ef8 | |
|
| 31 |
+ |
|
| 32 |
+ bf'4 bf8 bf bf bf ef4 d8 c4 bf8 ef4 d8 c4 bf8 bf4 a8 bf4. ef,4 f8 g g af | |
|
| 33 |
+ bf4 c8 d c d ef8( f) g8 af8( g) f ef8( f) g bf8( af) g f4 f8 f4. ef4 ef8 ef ef f | |
|
| 34 |
+ g4 ef8 f ef f g4 bf8 ef4 d8 c4 bf8 ef4 d8 c4 c8 d4. c4 e8 d d c | |
|
| 35 |
+ ef4 ef8 ef ef ef ef4 ef8 f4 f8 g4 g8 ef4 ef8 f4 f8 bf,4. c4 c'8 bf bf af | |
|
| 36 |
+ |
|
| 37 |
+ bf4 af8 g4 af8 f4 f8 ef4. bf'4. g4. bf4. g4. ef4 f8 g4 bf8 | |
|
| 38 |
+ g4 f8 ef4 ef8 ef4 d8 ef4. d4. ef4. f4. g4. c,4 d8 ef4 bf8 | |
|
| 39 |
+ bf4 bf8 c4 c8 c4 bf8 g4. f4. g4. af4. bf4. c4 c8 bf4 bf8 | |
|
| 40 |
+ g4 g8 c,4 bf8 af4 bf8 ef4. ef4. ef4. ef4. ef4. af4 af8 g4 g8 | |
|
| 41 |
+ |
|
| 42 |
+ |
|
| 43 |
+ af4 g8 f4 g8 ef4. ef \bar"||" | |
|
| 44 |
+ ef4 ef8 c4 d8 c( bf af) bf4. \bar"||" | |
|
| 45 |
+ c4 bf8 af4 bf8 af( g f) ef4. \bar"||" | |
|
| 46 |
+ f4 f8 bf,4 bf8 ef4. ef \bar"||" | |
|
| 47 |
+} |
|
| 48 |
+ |
|
| 49 |
+\new ChoirStaff << |
|
| 50 |
+ \new Staff = "female" {
|
|
| 51 |
+ \time 6/8 |
|
| 52 |
+ \key ef \major |
|
| 53 |
+ \new Voice = "women" << |
|
| 54 |
+ \relative c'' {
|
|
| 55 |
+ {\voiceOne \soprano}
|
|
| 56 |
+ } |
|
| 57 |
+ \new Voice = "altos" {\relative c' { \voiceTwo \alto }}
|
|
| 58 |
+ >> |
|
| 59 |
+ } |
|
| 60 |
+ \new Lyrics {
|
|
| 61 |
+ \lyricsto "women" {
|
|
| 62 |
+ \set stanza = #"1. " |
|
| 63 |
+ Jo -- seph dear -- est, Jo -- seph mine, Help me cra -- dle the child di -- vine; |
|
| 64 |
+ God re -- ward thee and all __ that's thine In pa -- ra -- dise, So prays the mo -- ther |
|
| 65 |
+ Ma -- ry. |
|
| 66 |
+ |
|
| 67 |
+ He came a -- mong us at Christ -- mas -- tide At Christ -- mas -- tide, In Beth -- le -- hem; |
|
| 68 |
+ Men shall bring him from far and wide Love's di -- a -- dem: Je -- sus, Je -- sus, Lo, he comes, |
|
| 69 |
+ and loves, and saves, and frees us! |
|
| 70 |
+ } |
|
| 71 |
+ } |
|
| 72 |
+ \new Lyrics {
|
|
| 73 |
+ \lyricsto "women" {
|
|
| 74 |
+ \set stanza = #"2. " |
|
| 75 |
+ Glad -- ly, dear one, la -- dy mine, Help I cra -- dle this child of thine; God's |
|
| 76 |
+ own light on us both __ shall shine In pa -- ra -- dise, As prays the mo -- ther Ma -- ry. |
|
| 77 |
+ } |
|
| 78 |
+ } |
|
| 79 |
+ \new Lyrics {
|
|
| 80 |
+ \lyricsto "women" {
|
|
| 81 |
+ \set stanza = #"3. " |
|
| 82 |
+ Peace to all that have good -- will! God, who hea -- ven and earth doth fill, Comes to turn |
|
| 83 |
+ us a -- way __ from ill, And lies so still With -- in the crib of Ma -- ry. |
|
| 84 |
+ } |
|
| 85 |
+ } |
|
| 86 |
+ \new Lyrics {
|
|
| 87 |
+ \lyricsto "women" {
|
|
| 88 |
+ \set stanza = #"4. " |
|
| 89 |
+ All shall come and bow the knee; Wise and hap -- py their souls shall be, Lov -- ing such |
|
| 90 |
+ a di -- vi -- ni -- ty, as all may see In Je -- sus, son of Ma -- ry. |
|
| 91 |
+ } |
|
| 92 |
+ } |
|
| 93 |
+ \new Lyrics {
|
|
| 94 |
+ \lyricsto "women" {
|
|
| 95 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 96 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 97 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 98 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 99 |
+ |
|
| 100 |
+ } |
|
| 101 |
+ } |
|
| 102 |
+ \new Staff = "male" {
|
|
| 103 |
+ \clef "bass" |
|
| 104 |
+ \relative c' {
|
|
| 105 |
+ \time 6/8 |
|
| 106 |
+ \key ef \major |
|
| 107 |
+ \new Voice = "men" << |
|
| 108 |
+ {\voiceOne \tenor}
|
|
| 109 |
+ \new Voice = "basses" { \voiceTwo \bass }
|
|
| 110 |
+ >> |
|
| 111 |
+ } |
|
| 112 |
+ } |
|
| 113 |
+>> |
|
| 114 |
+ |
|
| 115 |
+\layout {
|
|
| 116 |
+ indent = 0.0\cm |
|
| 117 |
+ \context {
|
|
| 118 |
+ \Lyrics |
|
| 119 |
+ \override LyricText #'font-size = #1 |
|
| 120 |
+ } |
|
| 121 |
+} |
|
| 122 |
+ |
|
| 123 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
|
| 124 |
+\end{lilypond}
|
| 0 | 125 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,14 @@ |
| 1 |
+{%
|
|
| 2 |
+\parindent 0pt |
|
| 3 |
+\noindent |
|
| 4 |
+\ifx\preLilyPondExample \undefined |
|
| 5 |
+\else |
|
| 6 |
+ \expandafter\preLilyPondExample |
|
| 7 |
+\fi |
|
| 8 |
+\def\lilypondbook{}%
|
|
| 9 |
+\input{c6/lily-5c2028f2-systems.tex}
|
|
| 10 |
+\ifx\postLilyPondExample \undefined |
|
| 11 |
+\else |
|
| 12 |
+ \expandafter\postLilyPondExample |
|
| 13 |
+\fi |
|
| 14 |
+} |
| 1 | 16 |
new file mode 100755 |
| ... | ... |
@@ -0,0 +1,3 @@ |
| 1 |
+/Applications/LilyPond.app/Contents/Resources/bin/lilypond-book --latex-program=luatex awayinamanger/awayinamanger.lytex |
|
| 2 |
+/Applications/LilyPond.app/Contents/Resources/bin/lilypond-book --latex-program=luatex josephdearest/josephdearest.lytex |
|
| 3 |
+/Applications/LilyPond.app/Contents/Resources/bin/lilypond-book --latex-program=luatex awayinamanger/awayinamanger.lytex |
| 0 | 4 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,38 @@ |
| 1 |
+%% Generated by lilypond-book |
|
| 2 |
+%% Options: [indent=0\mm,line-width=550\pt] |
|
| 3 |
+\include "lilypond-book-preamble.ly" |
|
| 4 |
+ |
|
| 5 |
+ |
|
| 6 |
+% **************************************************************** |
|
| 7 |
+% Start cut-&-pastable-section |
|
| 8 |
+% **************************************************************** |
|
| 9 |
+ |
|
| 10 |
+ |
|
| 11 |
+ |
|
| 12 |
+\paper {
|
|
| 13 |
+ indent = 0\mm |
|
| 14 |
+ line-width = 550\pt |
|
| 15 |
+ % offset the left padding, also add 1mm as lilypond creates cropped |
|
| 16 |
+ % images with a little space on the right |
|
| 17 |
+ line-width = #(- line-width (* mm 3.000000) (* mm 1)) |
|
| 18 |
+} |
|
| 19 |
+ |
|
| 20 |
+\layout {
|
|
| 21 |
+ |
|
| 22 |
+} |
|
| 23 |
+ |
|
| 24 |
+ |
|
| 25 |
+ |
|
| 26 |
+ |
|
| 27 |
+ |
|
| 28 |
+% **************************************************************** |
|
| 29 |
+% ly snippet: |
|
| 30 |
+% **************************************************************** |
|
| 31 |
+\sourcefileline 85 |
|
| 32 |
+\input{threeships.ly}
|
|
| 33 |
+ |
|
| 34 |
+ |
|
| 35 |
+ |
|
| 36 |
+% **************************************************************** |
|
| 37 |
+% end ly snippet |
|
| 38 |
+% **************************************************************** |
| 3 | 5 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,39 @@ |
| 1 |
+\raggedbottom{}
|
|
| 2 |
+\begin{paracol}{2}
|
|
| 3 |
+ %\RaggedRight{}
|
|
| 4 |
+ \posture{Seated} Blessed are you, Lord God of all creation, for through your
|
|
| 5 |
+ goodness we have received the bread we offer you: fruit of the earth and work |
|
| 6 |
+ of human hands, it will become for us the bread of life. |
|
| 7 |
+ \switchcolumn{}
|
|
| 8 |
+ |
|
| 9 |
+ \begin{spanish}
|
|
| 10 |
+ Bendito seas, Señor, Dios del universo, por este pan, fruto de la tierra y |
|
| 11 |
+ del trabajo del hombre, que recibimos de tu generosidad y ahora te presentamos; |
|
| 12 |
+ él será para nosotros pan de vida. |
|
| 13 |
+ \end{spanish}
|
|
| 14 |
+ \switchcolumn* |
|
| 15 |
+ |
|
| 16 |
+ \congregationResponse{Blessed be God forever.}
|
|
| 17 |
+ \switchcolumn{}
|
|
| 18 |
+ |
|
| 19 |
+ \congregationResponse{Bendito seas por siempre, Señor.}
|
|
| 20 |
+ \switchcolumn* |
|
| 21 |
+ |
|
| 22 |
+ Blessed are you, Lord God of all creation, for through your |
|
| 23 |
+ goodness we have received the wine we offer you: fruit of the vine and work of |
|
| 24 |
+ human hands, it will become our spiritual drink. |
|
| 25 |
+ \switchcolumn{}
|
|
| 26 |
+ |
|
| 27 |
+ \begin{spanish}
|
|
| 28 |
+ Bendito seas, Señor, Dios del universo, por este vino, fruto de la vid y del |
|
| 29 |
+ trabajo del hombre, que recibimos de tu generosidad y ahora te presentamos; él |
|
| 30 |
+ será para nosotros bebida de salvación. |
|
| 31 |
+ \end{spanish}
|
|
| 32 |
+ \switchcolumn* |
|
| 33 |
+ |
|
| 34 |
+ \congregationResponse{Blessed be God for ever.}
|
|
| 35 |
+ \switchcolumn{}
|
|
| 36 |
+ |
|
| 37 |
+ \congregationResponse{\small Bendito seas por siempre, Señor.}
|
|
| 38 |
+ \switchcolumn* |
|
| 39 |
+\end{paracol}
|
| 0 | 40 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,14 @@ |
| 1 |
+{%
|
|
| 2 |
+\parindent 0pt |
|
| 3 |
+\noindent |
|
| 4 |
+\ifx\preLilyPondExample \undefined |
|
| 5 |
+\else |
|
| 6 |
+ \expandafter\preLilyPondExample |
|
| 7 |
+\fi |
|
| 8 |
+\def\lilypondbook{}%
|
|
| 9 |
+\input{05/lily-b6264f35-systems.tex}
|
|
| 10 |
+\ifx\postLilyPondExample \undefined |
|
| 11 |
+\else |
|
| 12 |
+ \expandafter\postLilyPondExample |
|
| 13 |
+\fi |
|
| 14 |
+} |
| 0 | 15 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,215 @@ |
| 1 |
+\begin{lilypond}
|
|
| 2 |
+\language "english" |
|
| 3 |
+ |
|
| 4 |
+#(set-global-staff-size 14) |
|
| 5 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.5 in) (* 7 in))) paper-alist))
|
|
| 6 |
+ |
|
| 7 |
+#(define (rest-score r) |
|
| 8 |
+ (let ((score 0) |
|
| 9 |
+ (yoff (ly:grob-property-data r 'Y-offset)) |
|
| 10 |
+ (sp (ly:grob-property-data r 'staff-position))) |
|
| 11 |
+ (if (number? yoff) |
|
| 12 |
+ (set! score (+ score 2)) |
|
| 13 |
+ (if (eq? yoff 'calculation-in-progress) |
|
| 14 |
+ (set! score (- score 3)))) |
|
| 15 |
+ (and (number? sp) |
|
| 16 |
+ (<= 0 2 sp) |
|
| 17 |
+ (set! score (+ score 2)) |
|
| 18 |
+ (set! score (- score (abs (- 1 sp))))) |
|
| 19 |
+ score)) |
|
| 20 |
+ |
|
| 21 |
+ |
|
| 22 |
+#(define (merge-rests-on-positioning grob) |
|
| 23 |
+ (let* ((can-merge #f) |
|
| 24 |
+ (elts (ly:grob-object grob 'elements)) |
|
| 25 |
+ (num-elts (and (ly:grob-array? elts) |
|
| 26 |
+ (ly:grob-array-length elts))) |
|
| 27 |
+ (two-voice? (= num-elts 2))) |
|
| 28 |
+ (if two-voice? |
|
| 29 |
+ (let* ((v1-grob (ly:grob-array-ref elts 0)) |
|
| 30 |
+ (v2-grob (ly:grob-array-ref elts 1)) |
|
| 31 |
+ (v1-rest (ly:grob-object v1-grob 'rest)) |
|
| 32 |
+ (v2-rest (ly:grob-object v2-grob 'rest))) |
|
| 33 |
+ (and |
|
| 34 |
+ (ly:grob? v1-rest) |
|
| 35 |
+ (ly:grob? v2-rest) |
|
| 36 |
+ (let* ((v1-duration-log (ly:grob-property v1-rest 'duration-log)) |
|
| 37 |
+ (v2-duration-log (ly:grob-property v2-rest 'duration-log)) |
|
| 38 |
+ (v1-dot (ly:grob-object v1-rest 'dot)) |
|
| 39 |
+ (v2-dot (ly:grob-object v2-rest 'dot)) |
|
| 40 |
+ (v1-dot-count (and (ly:grob? v1-dot) |
|
| 41 |
+ (ly:grob-property v1-dot 'dot-count -1))) |
|
| 42 |
+ (v2-dot-count (and (ly:grob? v2-dot) |
|
| 43 |
+ (ly:grob-property v2-dot 'dot-count -1)))) |
|
| 44 |
+ (set! can-merge |
|
| 45 |
+ (and |
|
| 46 |
+ (number? v1-duration-log) |
|
| 47 |
+ (number? v2-duration-log) |
|
| 48 |
+ (= v1-duration-log v2-duration-log) |
|
| 49 |
+ (eq? v1-dot-count v2-dot-count))) |
|
| 50 |
+ (if can-merge |
|
| 51 |
+ ;; keep the rest that looks best: |
|
| 52 |
+ (let* ((keep-v1? (>= (rest-score v1-rest) |
|
| 53 |
+ (rest-score v2-rest))) |
|
| 54 |
+ (rest-to-keep (if keep-v1? v1-rest v2-rest)) |
|
| 55 |
+ (dot-to-kill (if keep-v1? v2-dot v1-dot))) |
|
| 56 |
+ ;; uncomment if you're curious of which rest was chosen: |
|
| 57 |
+ ;;(ly:grob-set-property! v1-rest 'color green) |
|
| 58 |
+ ;;(ly:grob-set-property! v2-rest 'color blue) |
|
| 59 |
+ (ly:grob-suicide! (if keep-v1? v2-rest v1-rest)) |
|
| 60 |
+ (if (ly:grob? dot-to-kill) |
|
| 61 |
+ (ly:grob-suicide! dot-to-kill)) |
|
| 62 |
+ (ly:grob-set-property! rest-to-keep 'direction 0) |
|
| 63 |
+ (ly:rest::y-offset-callback rest-to-keep))))))) |
|
| 64 |
+ (if can-merge |
|
| 65 |
+ #t |
|
| 66 |
+ (ly:rest-collision::calc-positioning-done grob)))) |
|
| 67 |
+ |
|
| 68 |
+\paper {
|
|
| 69 |
+ #(set-paper-size "my size") |
|
| 70 |
+} |
|
| 71 |
+ |
|
| 72 |
+ |
|
| 73 |
+ |
|
| 74 |
+ |
|
| 75 |
+ |
|
| 76 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 77 |
+ g8.( a16) g8 e4. | e8.( f16) e8 e4. | r4. r8 g8 g | r4. r8 c,8 c | |
|
| 78 |
+ g8.( a16) g8 e4. | e8.( f16) e8 e4. | r4. r8 g8 g | r4. r8 c8 c | |
|
| 79 |
+ d'4 d8 b4. | r8 d8 e f( e d) | r8 f8 g a( g f) | r8 c8 c c4. | |
|
| 80 |
+ c4 c8 g4. | r8 c8 d e( d c) | r8 e8 f g( f e) | r8 c8 c c4. | |
|
| 81 |
+ \break |
|
| 82 |
+ |
|
| 83 |
+ \slurDashed a4 a8 c8.( b16) a8 | |
|
| 84 |
+ \slurDashed r8 c8 f a8.( g16) f8 | |
|
| 85 |
+ \slurDashed r8 f8 f f( g) a | |
|
| 86 |
+ \slurDashed r8 f8 f f f f | |
|
| 87 |
+ g8.( a16) g8 e4. | e8.( f16) e8 c4. | c8( c) c g4. | c'8( c) c c,4. | |
|
| 88 |
+ a4 a8 c8.( b16) a8 | r8 c8 f a8.( g16) f8 | r8 f8 f f( g) a | r8 f8 f f f f | |
|
| 89 |
+ g8.( a16) g8 e4. | e8.( f16) e8 c4. | c8( c) c g4. | c'8 c c, c4. | |
|
| 90 |
+ |
|
| 91 |
+ |
|
| 92 |
+ \slurSolid d'4 d8 f8. d16 b8 | |
|
| 93 |
+ \slurSolid r8 d8 g b a g | |
|
| 94 |
+ \slurSolid r8 b8 b d c d | |
|
| 95 |
+ \slurSolid r8 g'8 g g g f | |
|
| 96 |
+ c4.( e4.) | g4. e4. | g,4. c | e'4. c | |
|
| 97 |
+ c8.( g16) e8 g8. f16 d8 | r8 e16( d) c8 b8. a16 b8 | r8 c c g g f | r8 g'8 g g g, g | |
|
| 98 |
+ c2. | c2. | e2. | c2. | |
|
| 99 |
+} |
|
| 100 |
+ |
|
| 101 |
+\score {
|
|
| 102 |
+ \header{
|
|
| 103 |
+ } |
|
| 104 |
+ |
|
| 105 |
+ \new ChoirStaff \with {
|
|
| 106 |
+ \override RestCollision.positioning-done = #merge-rests-on-positioning |
|
| 107 |
+ } << |
|
| 108 |
+ \new Staff = "female" {
|
|
| 109 |
+ \time 6/8 |
|
| 110 |
+ \key c \major |
|
| 111 |
+ \new Voice = "women" << |
|
| 112 |
+ \relative c'' {
|
|
| 113 |
+ {\voiceOne \soprano}
|
|
| 114 |
+ } |
|
| 115 |
+ \new Voice = "altos" {\relative c' { \voiceTwo \alto }}
|
|
| 116 |
+ >> |
|
| 117 |
+ } |
|
| 118 |
+ \new Lyrics {
|
|
| 119 |
+ \lyricsto "women" {
|
|
| 120 |
+ \set stanza = #"1. " |
|
| 121 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 122 |
+ All is calm, __ __ __ all is bright __ __ __ |
|
| 123 |
+ Round yon |
|
| 124 |
+ Vir -- gin |
|
| 125 |
+ |
|
| 126 |
+ \set ignoreMelismata = ##t |
|
| 127 |
+ mo -- ther |
|
| 128 |
+ |
|
| 129 |
+ and child, |
|
| 130 |
+ Ho -- ly |
|
| 131 |
+ |
|
| 132 |
+ in -- fant |
|
| 133 |
+ |
|
| 134 |
+ so |
|
| 135 |
+ |
|
| 136 |
+ ten -- der and mild, |
|
| 137 |
+ \unset ignoreMelismata |
|
| 138 |
+ |
|
| 139 |
+ Sleep in hea -- ven -- ly peace, __ |
|
| 140 |
+ Sleep __ in hea -- ven -- ly peace. |
|
| 141 |
+ } |
|
| 142 |
+ } |
|
| 143 |
+ \new Lyrics {
|
|
| 144 |
+ \lyricsto "women" {
|
|
| 145 |
+ \set stanza = #"2. " |
|
| 146 |
+ Si -- lent Night, Ho -- ly Night, |
|
| 147 |
+ |
|
| 148 |
+ Shep -- herds quake, __ at the sight; __ |
|
| 149 |
+ Glo -- ries stream __ from |
|
| 150 |
+ |
|
| 151 |
+ \set ignoreMelismata = ##t |
|
| 152 |
+ hea -- ven |
|
| 153 |
+ \unset ignoreMelismata |
|
| 154 |
+ |
|
| 155 |
+ a -- far, Heav'n -- ly hosts __ sing |
|
| 156 |
+ |
|
| 157 |
+ \set ignoreMelismata = ##t |
|
| 158 |
+ Al -- le -- lu -- ia; |
|
| 159 |
+ \unset ignoreMelismata |
|
| 160 |
+ |
|
| 161 |
+ Christ, the Sa -- vior is born, __ Christ, __ the Sa -- vior, is born. |
|
| 162 |
+ } |
|
| 163 |
+ } |
|
| 164 |
+ \new Lyrics {
|
|
| 165 |
+ \lyricsto "women" {
|
|
| 166 |
+ \set stanza = #"3. " |
|
| 167 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 168 |
+ Son of God, __ love's pure light __ |
|
| 169 |
+ Ra -- diant beams from |
|
| 170 |
+ |
|
| 171 |
+ \set ignoreMelismata = ##t |
|
| 172 |
+ thy ho -- ly face, |
|
| 173 |
+ \unset ignoreMelismata |
|
| 174 |
+ |
|
| 175 |
+ With the dawn of |
|
| 176 |
+ |
|
| 177 |
+ \set ignoreMelismata = ##t |
|
| 178 |
+ re -- deem -- ing grace, |
|
| 179 |
+ \unset ignoreMelismata |
|
| 180 |
+ |
|
| 181 |
+ Je -- sus, Lord, at thy birth, __ |
|
| 182 |
+ Je -- sus, Lord, at thy birth. |
|
| 183 |
+ } |
|
| 184 |
+ } |
|
| 185 |
+ |
|
| 186 |
+ \new Staff = "male" {
|
|
| 187 |
+ \clef "bass" |
|
| 188 |
+ \relative c' {
|
|
| 189 |
+ \time 6/8 |
|
| 190 |
+ \key c \major |
|
| 191 |
+ \new Voice = "men" << |
|
| 192 |
+ {\voiceOne \tenor}
|
|
| 193 |
+ \new Voice = "basses" { \voiceTwo \bass }
|
|
| 194 |
+ >> |
|
| 195 |
+ } |
|
| 196 |
+ } |
|
| 197 |
+ \new Lyrics {
|
|
| 198 |
+ \lyricsto "men" {
|
|
| 199 |
+ Si -- lent, Ho -- ly, |
|
| 200 |
+ } |
|
| 201 |
+ } |
|
| 202 |
+ >> |
|
| 203 |
+ |
|
| 204 |
+ \layout {
|
|
| 205 |
+ indent = 0.0\cm |
|
| 206 |
+ \context {
|
|
| 207 |
+ \Lyrics |
|
| 208 |
+ \override LyricText #'font-size = #-2 |
|
| 209 |
+ } |
|
| 210 |
+ } |
|
| 211 |
+ \midi { }
|
|
| 212 |
+} |
|
| 213 |
+ |
|
| 214 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
|
| 215 |
+\end{lilypond}
|
| 0 | 216 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,221 @@ |
| 1 |
+\begin{lilypond}
|
|
| 2 |
+\language "english" |
|
| 3 |
+ |
|
| 4 |
+#(set-global-staff-size 14) |
|
| 5 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.5 in) (* 6.75 in))) paper-alist))
|
|
| 6 |
+ |
|
| 7 |
+#(define (rest-score r) |
|
| 8 |
+ (let ((score 0) |
|
| 9 |
+ (yoff (ly:grob-property-data r 'Y-offset)) |
|
| 10 |
+ (sp (ly:grob-property-data r 'staff-position))) |
|
| 11 |
+ (if (number? yoff) |
|
| 12 |
+ (set! score (+ score 2)) |
|
| 13 |
+ (if (eq? yoff 'calculation-in-progress) |
|
| 14 |
+ (set! score (- score 3)))) |
|
| 15 |
+ (and (number? sp) |
|
| 16 |
+ (<= 0 2 sp) |
|
| 17 |
+ (set! score (+ score 2)) |
|
| 18 |
+ (set! score (- score (abs (- 1 sp))))) |
|
| 19 |
+ score)) |
|
| 20 |
+ |
|
| 21 |
+ |
|
| 22 |
+#(define (merge-rests-on-positioning grob) |
|
| 23 |
+ (let* ((can-merge #f) |
|
| 24 |
+ (elts (ly:grob-object grob 'elements)) |
|
| 25 |
+ (num-elts (and (ly:grob-array? elts) |
|
| 26 |
+ (ly:grob-array-length elts))) |
|
| 27 |
+ (two-voice? (= num-elts 2))) |
|
| 28 |
+ (if two-voice? |
|
| 29 |
+ (let* ((v1-grob (ly:grob-array-ref elts 0)) |
|
| 30 |
+ (v2-grob (ly:grob-array-ref elts 1)) |
|
| 31 |
+ (v1-rest (ly:grob-object v1-grob 'rest)) |
|
| 32 |
+ (v2-rest (ly:grob-object v2-grob 'rest))) |
|
| 33 |
+ (and |
|
| 34 |
+ (ly:grob? v1-rest) |
|
| 35 |
+ (ly:grob? v2-rest) |
|
| 36 |
+ (let* ((v1-duration-log (ly:grob-property v1-rest 'duration-log)) |
|
| 37 |
+ (v2-duration-log (ly:grob-property v2-rest 'duration-log)) |
|
| 38 |
+ (v1-dot (ly:grob-object v1-rest 'dot)) |
|
| 39 |
+ (v2-dot (ly:grob-object v2-rest 'dot)) |
|
| 40 |
+ (v1-dot-count (and (ly:grob? v1-dot) |
|
| 41 |
+ (ly:grob-property v1-dot 'dot-count -1))) |
|
| 42 |
+ (v2-dot-count (and (ly:grob? v2-dot) |
|
| 43 |
+ (ly:grob-property v2-dot 'dot-count -1)))) |
|
| 44 |
+ (set! can-merge |
|
| 45 |
+ (and |
|
| 46 |
+ (number? v1-duration-log) |
|
| 47 |
+ (number? v2-duration-log) |
|
| 48 |
+ (= v1-duration-log v2-duration-log) |
|
| 49 |
+ (eq? v1-dot-count v2-dot-count))) |
|
| 50 |
+ (if can-merge |
|
| 51 |
+ ;; keep the rest that looks best: |
|
| 52 |
+ (let* ((keep-v1? (>= (rest-score v1-rest) |
|
| 53 |
+ (rest-score v2-rest))) |
|
| 54 |
+ (rest-to-keep (if keep-v1? v1-rest v2-rest)) |
|
| 55 |
+ (dot-to-kill (if keep-v1? v2-dot v1-dot))) |
|
| 56 |
+ ;; uncomment if you're curious of which rest was chosen: |
|
| 57 |
+ ;;(ly:grob-set-property! v1-rest 'color green) |
|
| 58 |
+ ;;(ly:grob-set-property! v2-rest 'color blue) |
|
| 59 |
+ (ly:grob-suicide! (if keep-v1? v2-rest v1-rest)) |
|
| 60 |
+ (if (ly:grob? dot-to-kill) |
|
| 61 |
+ (ly:grob-suicide! dot-to-kill)) |
|
| 62 |
+ (ly:grob-set-property! rest-to-keep 'direction 0) |
|
| 63 |
+ (ly:rest::y-offset-callback rest-to-keep))))))) |
|
| 64 |
+ (if can-merge |
|
| 65 |
+ #t |
|
| 66 |
+ (ly:rest-collision::calc-positioning-done grob)))) |
|
| 67 |
+ |
|
| 68 |
+\paper {
|
|
| 69 |
+ #(define fonts |
|
| 70 |
+ (make-pango-font-tree "Alegreya" |
|
| 71 |
+ "Alegreya Sans" |
|
| 72 |
+ "Source Code Pro" |
|
| 73 |
+ (/ staff-height pt 20))) |
|
| 74 |
+ |
|
| 75 |
+ #(set-paper-size "my size") |
|
| 76 |
+} |
|
| 77 |
+ |
|
| 78 |
+ |
|
| 79 |
+ |
|
| 80 |
+ |
|
| 81 |
+ |
|
| 82 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 83 |
+ g8.( a16) g8 e4. | e8.( f16) e8 e4. | r4. r8 g8 g | r4. r8 c,8 c | |
|
| 84 |
+ g8.( a16) g8 e4. | e8.( f16) e8 e4. | r4. r8 g8 g | r4. r8 c8 c | |
|
| 85 |
+ d'4 d8 b4. | r8 d8 e f( e d) | r8 f8 g a( g f) | r8 c8 c c4. | |
|
| 86 |
+ c4 c8 g4. | r8 c8 d e( d c) | r8 e8 f g( f e) | r8 c8 c c4. | |
|
| 87 |
+ \break |
|
| 88 |
+ |
|
| 89 |
+ \slurDashed a4 a8 c8.( b16) a8 | |
|
| 90 |
+ \slurDashed r8 c8 f a8.( g16) f8 | |
|
| 91 |
+ \slurDashed r8 f8 f f( g) a | |
|
| 92 |
+ \slurDashed r8 f8 f f f f | |
|
| 93 |
+ g8.( a16) g8 e4. | e8.( f16) e8 c4. | c8( c) c g4. | c'8( c) c c,4. | |
|
| 94 |
+ a4 a8 c8.( b16) a8 | r8 c8 f a8.( g16) f8 | r8 f8 f f( g) a | r8 f8 f f f f | |
|
| 95 |
+ g8.( a16) g8 e4. | e8.( f16) e8 c4. | c8( c) c g4. | c'8 c c, c4. | |
|
| 96 |
+ |
|
| 97 |
+ |
|
| 98 |
+ \slurSolid d'4 d8 f8. d16 b8 | |
|
| 99 |
+ \slurSolid r8 d8 g b a g | |
|
| 100 |
+ \slurSolid r8 b8 b d c d | |
|
| 101 |
+ \slurSolid r8 g'8 g g g f | |
|
| 102 |
+ c4.( e4.) | g4. e4. | g,4. c | e'4. c | |
|
| 103 |
+ c8.( g16) e8 g8. f16 d8 | r8 e16( d) c8 b8. a16 b8 | r8 c c g g f | r8 g'8 g g g, g | |
|
| 104 |
+ c2. | c2. | e2. | c2. | |
|
| 105 |
+} |
|
| 106 |
+ |
|
| 107 |
+\score {
|
|
| 108 |
+ \header{
|
|
| 109 |
+ } |
|
| 110 |
+ |
|
| 111 |
+ \new ChoirStaff \with {
|
|
| 112 |
+ \override RestCollision.positioning-done = #merge-rests-on-positioning |
|
| 113 |
+ } << |
|
| 114 |
+ \new Staff = "female" {
|
|
| 115 |
+ \time 6/8 |
|
| 116 |
+ \key c \major |
|
| 117 |
+ \new Voice = "women" << |
|
| 118 |
+ \relative c'' {
|
|
| 119 |
+ {\voiceOne \soprano}
|
|
| 120 |
+ } |
|
| 121 |
+ \new Voice = "altos" {\relative c' { \voiceTwo \alto }}
|
|
| 122 |
+ >> |
|
| 123 |
+ } |
|
| 124 |
+ \new Lyrics {
|
|
| 125 |
+ \lyricsto "women" {
|
|
| 126 |
+ \set stanza = #"1. " |
|
| 127 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 128 |
+ All is calm, __ __ __ all is bright __ __ __ |
|
| 129 |
+ Round yon |
|
| 130 |
+ Vir -- gin |
|
| 131 |
+ |
|
| 132 |
+ \set ignoreMelismata = ##t |
|
| 133 |
+ mo -- ther |
|
| 134 |
+ |
|
| 135 |
+ and child, |
|
| 136 |
+ Ho -- ly |
|
| 137 |
+ |
|
| 138 |
+ in -- fant |
|
| 139 |
+ |
|
| 140 |
+ so |
|
| 141 |
+ |
|
| 142 |
+ ten -- der and mild, |
|
| 143 |
+ \unset ignoreMelismata |
|
| 144 |
+ |
|
| 145 |
+ Sleep in hea -- ven -- ly peace, __ |
|
| 146 |
+ Sleep __ in hea -- ven -- ly peace. |
|
| 147 |
+ } |
|
| 148 |
+ } |
|
| 149 |
+ \new Lyrics {
|
|
| 150 |
+ \lyricsto "women" {
|
|
| 151 |
+ \set stanza = #"2. " |
|
| 152 |
+ Si -- lent Night, Ho -- ly Night, |
|
| 153 |
+ |
|
| 154 |
+ Shep -- herds quake, __ at the sight; __ |
|
| 155 |
+ Glo -- ries stream __ from |
|
| 156 |
+ |
|
| 157 |
+ \set ignoreMelismata = ##t |
|
| 158 |
+ hea -- ven |
|
| 159 |
+ \unset ignoreMelismata |
|
| 160 |
+ |
|
| 161 |
+ a -- far, Heav'n -- ly hosts __ sing |
|
| 162 |
+ |
|
| 163 |
+ \set ignoreMelismata = ##t |
|
| 164 |
+ Al -- le -- lu -- ia; |
|
| 165 |
+ \unset ignoreMelismata |
|
| 166 |
+ |
|
| 167 |
+ Christ, the Sa -- vior is born, __ Christ, __ the Sa -- vior, is born. |
|
| 168 |
+ } |
|
| 169 |
+ } |
|
| 170 |
+ \new Lyrics {
|
|
| 171 |
+ \lyricsto "women" {
|
|
| 172 |
+ \set stanza = #"3. " |
|
| 173 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 174 |
+ Son of God, __ love's pure light __ |
|
| 175 |
+ Ra -- diant beams from |
|
| 176 |
+ |
|
| 177 |
+ \set ignoreMelismata = ##t |
|
| 178 |
+ thy ho -- ly face, |
|
| 179 |
+ \unset ignoreMelismata |
|
| 180 |
+ |
|
| 181 |
+ With the dawn of |
|
| 182 |
+ |
|
| 183 |
+ \set ignoreMelismata = ##t |
|
| 184 |
+ re -- deem -- ing grace, |
|
| 185 |
+ \unset ignoreMelismata |
|
| 186 |
+ |
|
| 187 |
+ Je -- sus, Lord, at thy birth, __ |
|
| 188 |
+ Je -- sus, Lord, at thy birth. |
|
| 189 |
+ } |
|
| 190 |
+ } |
|
| 191 |
+ |
|
| 192 |
+ \new Staff = "male" {
|
|
| 193 |
+ \clef "bass" |
|
| 194 |
+ \relative c' {
|
|
| 195 |
+ \time 6/8 |
|
| 196 |
+ \key c \major |
|
| 197 |
+ \new Voice = "men" << |
|
| 198 |
+ {\voiceOne \tenor}
|
|
| 199 |
+ \new Voice = "basses" { \voiceTwo \bass }
|
|
| 200 |
+ >> |
|
| 201 |
+ } |
|
| 202 |
+ } |
|
| 203 |
+ \new Lyrics {
|
|
| 204 |
+ \lyricsto "men" {
|
|
| 205 |
+ Si -- lent, Ho -- ly, |
|
| 206 |
+ } |
|
| 207 |
+ } |
|
| 208 |
+ >> |
|
| 209 |
+ |
|
| 210 |
+ \layout {
|
|
| 211 |
+ indent = 0.0\cm |
|
| 212 |
+ \context {
|
|
| 213 |
+ \Lyrics |
|
| 214 |
+ \override LyricText #'font-size = #1 |
|
| 215 |
+ } |
|
| 216 |
+ } |
|
| 217 |
+ \midi { }
|
|
| 218 |
+} |
|
| 219 |
+ |
|
| 220 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
|
| 221 |
+\end{lilypond}
|
| 2 | 224 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,84 @@ |
| 1 |
+\language "english" |
|
| 2 |
+ |
|
| 3 |
+#(set-global-staff-size 14) |
|
| 4 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.25 in) (* 3.66 in))) paper-alist))
|
|
| 5 |
+\paper {
|
|
| 6 |
+ #(set-paper-size "my size") |
|
| 7 |
+ |
|
| 8 |
+ head-separation = 2\in |
|
| 9 |
+ |
|
| 10 |
+ mystaffsize = #26 |
|
| 11 |
+ |
|
| 12 |
+ #(define fonts |
|
| 13 |
+ (make-pango-font-tree "Alegreya" |
|
| 14 |
+ "Alegreya Sans" |
|
| 15 |
+ "Source Code Pro" |
|
| 16 |
+ (/ staff-height pt 20))) |
|
| 17 |
+ |
|
| 18 |
+bookTitleMarkup = \markup {
|
|
| 19 |
+ \fontsize #5 {
|
|
| 20 |
+ \column {
|
|
| 21 |
+ \fill-line { \bold \fromproperty #'header:title }
|
|
| 22 |
+ \vspace #2 |
|
| 23 |
+ } |
|
| 24 |
+ } |
|
| 25 |
+} |
|
| 26 |
+ |
|
| 27 |
+} |
|
| 28 |
+ |
|
| 29 |
+\book {
|
|
| 30 |
+ \header{
|
|
| 31 |
+ title = "Farewell Song" |
|
| 32 |
+ tagline = "" % removed |
|
| 33 |
+ |
|
| 34 |
+ } |
|
| 35 |
+ |
|
| 36 |
+ \score {
|
|
| 37 |
+ |
|
| 38 |
+ \layout {
|
|
| 39 |
+ indent = 0.0\cm |
|
| 40 |
+ %paper-width = 8.5\in |
|
| 41 |
+ line-width = 3.5\in |
|
| 42 |
+ %check-consistency = ##t |
|
| 43 |
+ \context {
|
|
| 44 |
+ \Score |
|
| 45 |
+ \omit BarNumber |
|
| 46 |
+ } |
|
| 47 |
+ } |
|
| 48 |
+ \midi { }
|
|
| 49 |
+ |
|
| 50 |
+ \new Staff = "female" << |
|
| 51 |
+ \set Score.tempoHideNote = ##t \tempo 4 = 150 |
|
| 52 |
+ \set Staff.midiInstrument = #"oboe" |
|
| 53 |
+ |
|
| 54 |
+ \time 3/4 |
|
| 55 |
+ \key bf \major |
|
| 56 |
+ \new Voice = "music" {
|
|
| 57 |
+ \relative c' {
|
|
| 58 |
+ \repeat volta 2 {
|
|
| 59 |
+ d2 f4 | bf2 c4 | d4 f,2 | e2 f4 | g2. | g2. | g2.~ | g2 r4 | \break |
|
| 60 |
+ a2 gs4 | a2 bf4 | c4 a2 | g2 a4 | f2. | f2. | f2.~ | f2 r4 | \break |
|
| 61 |
+ d2 f4 | bf2 c4 | d4 f,2 | e2 f4 | g2. | g2. | c2.~ | c2 r4 | \break |
|
| 62 |
+ c2 bf4 | a2 bf4 | d4 f,2 | ef'2 d4 | g,2. | a2. | |
|
| 63 |
+ } |
|
| 64 |
+ \alternative {
|
|
| 65 |
+ {bf2 r4 | r2 r4 |}
|
|
| 66 |
+ {bf2.~ | bf4 r4 r4 |}
|
|
| 67 |
+ } |
|
| 68 |
+ } |
|
| 69 |
+ } |
|
| 70 |
+ \new Lyrics {
|
|
| 71 |
+ \lyricsto "music" {
|
|
| 72 |
+ Let me call you sweet -- heart, I'm in love with you. __ |
|
| 73 |
+ Let me hear you whis -- per that you love me too. __ |
|
| 74 |
+ Keep the love -- light shi -- ning in your eyes so true! __ |
|
| 75 |
+ Let me call you sweet -- heart, I'm in love with you! you! __ |
|
| 76 |
+ } |
|
| 77 |
+ } |
|
| 78 |
+ >> |
|
| 79 |
+ |
|
| 80 |
+ |
|
| 81 |
+ } |
|
| 82 |
+} |
|
| 83 |
+ |
|
| 84 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
| 0 | 85 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,140 @@ |
| 1 |
+\begin{lilypond}
|
|
| 2 |
+\language "english" |
|
| 3 |
+ |
|
| 4 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.25 in) (* 6.5 in))) paper-alist))
|
|
| 5 |
+\paper {
|
|
| 6 |
+ #(set-paper-size "my size") |
|
| 7 |
+ between-system-space = 0.1 \mm |
|
| 8 |
+ |
|
| 9 |
+} |
|
| 10 |
+\layout { indent = 0.0\cm }
|
|
| 11 |
+ |
|
| 12 |
+ |
|
| 13 |
+\header{
|
|
| 14 |
+} |
|
| 15 |
+ |
|
| 16 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 17 |
+ \partial 8*1 f8 | |
|
| 18 |
+ \partial 8*1 r8 | |
|
| 19 |
+ \partial 8*1 r8 | |
|
| 20 |
+ \partial 8*1 r8 | |
|
| 21 |
+ |
|
| 22 |
+ bf4 bf8 \slurDotted c8[( c]) d | |
|
| 23 |
+ f4. bf4. | |
|
| 24 |
+ r2. | |
|
| 25 |
+ r2. | |
|
| 26 |
+ |
|
| 27 |
+ f4 d8 c4 e8 | |
|
| 28 |
+ g4. a4 a8 | |
|
| 29 |
+ r2. | |
|
| 30 |
+ r2. | |
|
| 31 |
+ |
|
| 32 |
+ d4 bf8 bf4 d8 | |
|
| 33 |
+ bf4 g8 f4 g8 | |
|
| 34 |
+ r2. | |
|
| 35 |
+ r2. | |
|
| 36 |
+ |
|
| 37 |
+ c4 a8 f4 f8 | |
|
| 38 |
+ a4 g8 f4 r8 | |
|
| 39 |
+ r2. | |
|
| 40 |
+ r2. | |
|
| 41 |
+ |
|
| 42 |
+ bf4 bf8 \slurDotted c8[( c8]) d | |
|
| 43 |
+ f4. bf4. | |
|
| 44 |
+ r2. | |
|
| 45 |
+ r2. | |
|
| 46 |
+ |
|
| 47 |
+ f4 d8 c4 e8 | |
|
| 48 |
+ g4. a4 a8 | |
|
| 49 |
+ r2. | |
|
| 50 |
+ r2. | |
|
| 51 |
+ |
|
| 52 |
+ d4 bf8 { bf8 c8 d8 } |
|
|
| 53 |
+ bf4 f8 { g8 a b } |
|
|
| 54 |
+ r2. | |
|
| 55 |
+ r2. | |
|
| 56 |
+ |
|
| 57 |
+ c4. bf4 s8 | |
|
| 58 |
+ bf4( a8) bf4 s8 | |
|
| 59 |
+ r4. r4 s8 | |
|
| 60 |
+ r4. r4 s8 | |
|
| 61 |
+} |
|
| 62 |
+ |
|
| 63 |
+<< |
|
| 64 |
+ %\new ChoirStaff << |
|
| 65 |
+ \new Staff = "female" {
|
|
| 66 |
+ \relative c' {
|
|
| 67 |
+\time 6/8 |
|
| 68 |
+ \key bf \major |
|
| 69 |
+ \new Voice = "women" << |
|
| 70 |
+ {\voiceOne \soprano}
|
|
| 71 |
+ \new Voice = "altos" { \voiceTwo \alto }
|
|
| 72 |
+ >> |
|
| 73 |
+ } |
|
| 74 |
+ } |
|
| 75 |
+ \new Staff = "male" {
|
|
| 76 |
+ \relative c' {
|
|
| 77 |
+\time 6/8 |
|
| 78 |
+ \key bf \major |
|
| 79 |
+ \new Voice = "men" << |
|
| 80 |
+ {\voiceOne \soprano}
|
|
| 81 |
+ \new Voice = "basses" { \voiceTwo \alto }
|
|
| 82 |
+ >> |
|
| 83 |
+ } |
|
| 84 |
+ } |
|
| 85 |
+ %>> |
|
| 86 |
+ |
|
| 87 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 88 |
+ \lyricsto "women" {
|
|
| 89 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 90 |
+ \bar "" \break On Christ -- mas Day, On Christ -- mas Day, \bar "" \break |
|
| 91 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 92 |
+ \bar "" \break On Christ -- mas Day in the morn -- ing. \bar "" \break |
|
| 93 |
+ } |
|
| 94 |
+ } |
|
| 95 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 96 |
+ \lyricsto "women" {
|
|
| 97 |
+ \set stanza = #"1. " |
|
| 98 |
+ I | saw three ships come | sail -- ing by, \skip 1 \skip 1 \skip 1 |
|
| 99 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 I | saw three ships come | |
|
| 100 |
+ sail -- ing by, \skip 1 \skip 1 \skip 1 \skip 1 | \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 101 |
+ } |
|
| 102 |
+ } |
|
| 103 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 104 |
+ \lyricsto "women" {
|
|
| 105 |
+ \set stanza = #"3. " |
|
| 106 |
+ Our Sa -- vior Christ and his la -- dy, \skip 1 \skip 1 \skip 1 |
|
| 107 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 Our Sa -- vior Christ and his |
|
| 108 |
+ la -- dy, \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 109 |
+ } |
|
| 110 |
+ } |
|
| 111 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 112 |
+ \lyricsto "women" {
|
|
| 113 |
+ \set stanza = #"5. " |
|
| 114 |
+ O they sail'd in -- to Beth -- le -- hem, \skip 1 \skip 1 \skip 1 |
|
| 115 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 O they sail'd in -- to Beth -- le -- hem, |
|
| 116 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 117 |
+ } |
|
| 118 |
+ } |
|
| 119 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 120 |
+ \lyricsto "women" {
|
|
| 121 |
+ \set stanza = #"7. " |
|
| 122 |
+ And all the |
|
| 123 |
+ \set ignoreMelismata = ##t |
|
| 124 |
+ an8 -- gels8 |
|
| 125 |
+ \unset ignoreMelismata |
|
| 126 |
+ in heav'n shall sing, \skip 1 \skip 1 \skip 1 |
|
| 127 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 And all the |
|
| 128 |
+ \set ignoreMelismata = ##t |
|
| 129 |
+ An -- gels |
|
| 130 |
+ \unset ignoreMelismata |
|
| 131 |
+ in heav'n |
|
| 132 |
+ shall sing, \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 133 |
+ } |
|
| 134 |
+ } |
|
| 135 |
+>> |
|
| 136 |
+ |
|
| 137 |
+ |
|
| 138 |
+ |
|
| 139 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
|
| 140 |
+\end{lilypond}
|
| 0 | 141 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,140 @@ |
| 1 |
+\begin{lilypond}
|
|
| 2 |
+\language "english" |
|
| 3 |
+ |
|
| 4 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.25 in) (* 6.5 in))) paper-alist))
|
|
| 5 |
+\paper {
|
|
| 6 |
+ #(set-paper-size "my size") |
|
| 7 |
+ between-system-space = 0.1 \mm |
|
| 8 |
+ |
|
| 9 |
+} |
|
| 10 |
+\layout { indent = 0.0\cm }
|
|
| 11 |
+ |
|
| 12 |
+ |
|
| 13 |
+\header{
|
|
| 14 |
+} |
|
| 15 |
+ |
|
| 16 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 17 |
+ \partial 8*1 f8 | |
|
| 18 |
+ \partial 8*1 r8 | |
|
| 19 |
+ \partial 8*1 r8 | |
|
| 20 |
+ \partial 8*1 r8 | |
|
| 21 |
+ |
|
| 22 |
+ bf4 bf8 \slurDotted c8[( c]) d | |
|
| 23 |
+ f4. bf4. | |
|
| 24 |
+ r2. | |
|
| 25 |
+ r2. | |
|
| 26 |
+ |
|
| 27 |
+ f4 d8 c4 e8 | |
|
| 28 |
+ g4. a4 a8 | |
|
| 29 |
+ r2. | |
|
| 30 |
+ r2. | |
|
| 31 |
+ |
|
| 32 |
+ d4 bf8 bf4 d8 | |
|
| 33 |
+ bf4 g8 f4 g8 | |
|
| 34 |
+ r2. | |
|
| 35 |
+ r2. | |
|
| 36 |
+ |
|
| 37 |
+ c4 a8 f4 f8 | |
|
| 38 |
+ a4 g8 f4 r8 | |
|
| 39 |
+ r2. | |
|
| 40 |
+ r2. | |
|
| 41 |
+ |
|
| 42 |
+ bf4 bf8 \slurDotted c8[( c8]) d | |
|
| 43 |
+ f4. bf4. | |
|
| 44 |
+ r2. | |
|
| 45 |
+ r2. | |
|
| 46 |
+ |
|
| 47 |
+ f4 d8 c4 e8 | |
|
| 48 |
+ g4. a4 a8 | |
|
| 49 |
+ r2. | |
|
| 50 |
+ r2. | |
|
| 51 |
+ |
|
| 52 |
+ d4 bf8 { bf8 c8 d8 } |
|
|
| 53 |
+ bf4 f8 { g8 a b } |
|
|
| 54 |
+ r2. | |
|
| 55 |
+ r2. | |
|
| 56 |
+ |
|
| 57 |
+ c4. bf4 s8 | |
|
| 58 |
+ bf4( a8) bf4 s8 | |
|
| 59 |
+ r4. r4 s8 | |
|
| 60 |
+ r4. r4 s8 | |
|
| 61 |
+} |
|
| 62 |
+ |
|
| 63 |
+<< |
|
| 64 |
+ %\new ChoirStaff << |
|
| 65 |
+ \new Staff = "female" {
|
|
| 66 |
+ \relative c' {
|
|
| 67 |
+\time 6/8 |
|
| 68 |
+ \key bf \major |
|
| 69 |
+ \new Voice = "women" << |
|
| 70 |
+ {\voiceOne \soprano}
|
|
| 71 |
+ \new Voice = "altos" { \voiceTwo \alto }
|
|
| 72 |
+ >> |
|
| 73 |
+ } |
|
| 74 |
+ } |
|
| 75 |
+ \new Staff = "male" {
|
|
| 76 |
+ \relative c' {
|
|
| 77 |
+\time 6/8 |
|
| 78 |
+ \key bf \major |
|
| 79 |
+ \new Voice = "men" << |
|
| 80 |
+ {\voiceOne \soprano}
|
|
| 81 |
+ \new Voice = "basses" { \voiceTwo \alto }
|
|
| 82 |
+ >> |
|
| 83 |
+ } |
|
| 84 |
+ } |
|
| 85 |
+ %>> |
|
| 86 |
+ |
|
| 87 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 88 |
+ \lyricsto "women" {
|
|
| 89 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 90 |
+ \bar "" \break On Christ -- mas Day, On Christ -- mas Day, \bar "" \break |
|
| 91 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 92 |
+ \bar "" \break On Christ -- mas Day in the morn -- ing. \bar "" \break |
|
| 93 |
+ } |
|
| 94 |
+ } |
|
| 95 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 96 |
+ \lyricsto "women" {
|
|
| 97 |
+ \set stanza = #"1. " |
|
| 98 |
+ I | saw three ships come | sail -- ing by, \skip 1 \skip 1 \skip 1 |
|
| 99 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 I | saw three ships come | |
|
| 100 |
+ sail -- ing by, \skip 1 \skip 1 \skip 1 \skip 1 | \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 101 |
+ } |
|
| 102 |
+ } |
|
| 103 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 104 |
+ \lyricsto "women" {
|
|
| 105 |
+ \set stanza = #"3. " |
|
| 106 |
+ Our Sa -- vior Christ and his la -- dy, \skip 1 \skip 1 \skip 1 |
|
| 107 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 Our Sa -- vior Christ and his |
|
| 108 |
+ la -- dy, \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 109 |
+ } |
|
| 110 |
+ } |
|
| 111 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 112 |
+ \lyricsto "women" {
|
|
| 113 |
+ \set stanza = #"5. " |
|
| 114 |
+ O they sail'd in -- to Beth -- le -- hem, \skip 1 \skip 1 \skip 1 |
|
| 115 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 O they sail'd in -- to Beth -- le -- hem, |
|
| 116 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 117 |
+ } |
|
| 118 |
+ } |
|
| 119 |
+ \new Lyrics \with {alignAboveContext="male"} {
|
|
| 120 |
+ \lyricsto "women" {
|
|
| 121 |
+ \set stanza = #"7. " |
|
| 122 |
+ And all the |
|
| 123 |
+ \set ignoreMelismata = ##t |
|
| 124 |
+ an8 -- gels8 |
|
| 125 |
+ \unset ignoreMelismata |
|
| 126 |
+ in heav'n shall sing, \skip 1 \skip 1 \skip 1 |
|
| 127 |
+ \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 And all the |
|
| 128 |
+ \set ignoreMelismata = ##t |
|
| 129 |
+ An -- gels |
|
| 130 |
+ \unset ignoreMelismata |
|
| 131 |
+ in heav'n |
|
| 132 |
+ shall sing, \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 |
|
| 133 |
+ } |
|
| 134 |
+ } |
|
| 135 |
+>> |
|
| 136 |
+ |
|
| 137 |
+ |
|
| 138 |
+ |
|
| 139 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
|
| 140 |
+\end{lilypond}
|
| 0 | 141 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,14 @@ |
| 1 |
+{%
|
|
| 2 |
+\parindent 0pt |
|
| 3 |
+\noindent |
|
| 4 |
+\ifx\preLilyPondExample \undefined |
|
| 5 |
+\else |
|
| 6 |
+ \expandafter\preLilyPondExample |
|
| 7 |
+\fi |
|
| 8 |
+\def\lilypondbook{}%
|
|
| 9 |
+\input{32/lily-2e6022ad-systems.tex}
|
|
| 10 |
+\ifx\postLilyPondExample \undefined |
|
| 11 |
+\else |
|
| 12 |
+ \expandafter\postLilyPondExample |
|
| 13 |
+\fi |
|
| 14 |
+} |
| 0 | 15 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,174 @@ |
| 1 |
+\language "english" |
|
| 2 |
+ |
|
| 3 |
+#(set-global-staff-size 14) |
|
| 4 |
+#(set! paper-alist (cons '("my size" . (cons (* 4.5 in) (* 6.25 in))) paper-alist))
|
|
| 5 |
+ |
|
| 6 |
+#(define (rest-score r) |
|
| 7 |
+ (let ((score 0) |
|
| 8 |
+ (yoff (ly:grob-property-data r 'Y-offset)) |
|
| 9 |
+ (sp (ly:grob-property-data r 'staff-position))) |
|
| 10 |
+ (if (number? yoff) |
|
| 11 |
+ (set! score (+ score 2)) |
|
| 12 |
+ (if (eq? yoff 'calculation-in-progress) |
|
| 13 |
+ (set! score (- score 3)))) |
|
| 14 |
+ (and (number? sp) |
|
| 15 |
+ (<= 0 2 sp) |
|
| 16 |
+ (set! score (+ score 2)) |
|
| 17 |
+ (set! score (- score (abs (- 1 sp))))) |
|
| 18 |
+ score)) |
|
| 19 |
+ |
|
| 20 |
+ |
|
| 21 |
+#(define (merge-rests-on-positioning grob) |
|
| 22 |
+ (let* ((can-merge #f) |
|
| 23 |
+ (elts (ly:grob-object grob 'elements)) |
|
| 24 |
+ (num-elts (and (ly:grob-array? elts) |
|
| 25 |
+ (ly:grob-array-length elts))) |
|
| 26 |
+ (two-voice? (= num-elts 2))) |
|
| 27 |
+ (if two-voice? |
|
| 28 |
+ (let* ((v1-grob (ly:grob-array-ref elts 0)) |
|
| 29 |
+ (v2-grob (ly:grob-array-ref elts 1)) |
|
| 30 |
+ (v1-rest (ly:grob-object v1-grob 'rest)) |
|
| 31 |
+ (v2-rest (ly:grob-object v2-grob 'rest))) |
|
| 32 |
+ (and |
|
| 33 |
+ (ly:grob? v1-rest) |
|
| 34 |
+ (ly:grob? v2-rest) |
|
| 35 |
+ (let* ((v1-duration-log (ly:grob-property v1-rest 'duration-log)) |
|
| 36 |
+ (v2-duration-log (ly:grob-property v2-rest 'duration-log)) |
|
| 37 |
+ (v1-dot (ly:grob-object v1-rest 'dot)) |
|
| 38 |
+ (v2-dot (ly:grob-object v2-rest 'dot)) |
|
| 39 |
+ (v1-dot-count (and (ly:grob? v1-dot) |
|
| 40 |
+ (ly:grob-property v1-dot 'dot-count -1))) |
|
| 41 |
+ (v2-dot-count (and (ly:grob? v2-dot) |
|
| 42 |
+ (ly:grob-property v2-dot 'dot-count -1)))) |
|
| 43 |
+ (set! can-merge |
|
| 44 |
+ (and |
|
| 45 |
+ (number? v1-duration-log) |
|
| 46 |
+ (number? v2-duration-log) |
|
| 47 |
+ (= v1-duration-log v2-duration-log) |
|
| 48 |
+ (eq? v1-dot-count v2-dot-count))) |
|
| 49 |
+ (if can-merge |
|
| 50 |
+ ;; keep the rest that looks best: |
|
| 51 |
+ (let* ((keep-v1? (>= (rest-score v1-rest) |
|
| 52 |
+ (rest-score v2-rest))) |
|
| 53 |
+ (rest-to-keep (if keep-v1? v1-rest v2-rest)) |
|
| 54 |
+ (dot-to-kill (if keep-v1? v2-dot v1-dot))) |
|
| 55 |
+ ;; uncomment if you're curious of which rest was chosen: |
|
| 56 |
+ ;;(ly:grob-set-property! v1-rest 'color green) |
|
| 57 |
+ ;;(ly:grob-set-property! v2-rest 'color blue) |
|
| 58 |
+ (ly:grob-suicide! (if keep-v1? v2-rest v1-rest)) |
|
| 59 |
+ (if (ly:grob? dot-to-kill) |
|
| 60 |
+ (ly:grob-suicide! dot-to-kill)) |
|
| 61 |
+ (ly:grob-set-property! rest-to-keep 'direction 0) |
|
| 62 |
+ (ly:rest::y-offset-callback rest-to-keep))))))) |
|
| 63 |
+ (if can-merge |
|
| 64 |
+ #t |
|
| 65 |
+ (ly:rest-collision::calc-positioning-done grob)))) |
|
| 66 |
+ |
|
| 67 |
+\paper {
|
|
| 68 |
+ #(set-paper-size "my size") |
|
| 69 |
+} |
|
| 70 |
+ |
|
| 71 |
+ |
|
| 72 |
+ |
|
| 73 |
+ |
|
| 74 |
+ |
|
| 75 |
+\parallelMusic #'(soprano alto tenor bass) {
|
|
| 76 |
+ \partial 4*1 c,4 | \partial 4*1 c4 | \partial 4*1 r4 | \partial 4*1 r4 | |
|
| 77 |
+ f4 f g8( a) | f4 f g8( a) | r2. | r2. | |
|
| 78 |
+ f4 f a8( bf) | f4 f f8( g) | r2. | r2. | |
|
| 79 |
+ c4 c d | a4. g8 f4 | r2. | r2. | |
|
| 80 |
+ bf2 \bar "||" g8( a) | g2 \bar "||" d4 | r4 r4 \bar "||" bf,8( a) | r4 r4 \bar "||" |
|
| 81 |
+ \break g8( f) | |
|
| 82 |
+ |
|
| 83 |
+ |
|
| 84 |
+ |
|
| 85 |
+ bf4 bf c | g4. f8 g4 | g4 g c | e4 e e | |
|
| 86 |
+ a4 a f8( a) | f4 f4 f4 | c4 c d8( c) | f4. e8 d4 | |
|
| 87 |
+ g4 d f | d4. c8 d4 | b4 a b4 | g4 g g | |
|
| 88 |
+ e2 \bar "||" |
|
| 89 |
+ \break c4 | c2 \bar "||" c4 | c2 \bar "||" r4 | c,2 \bar "||" r4 | |
|
| 90 |
+ |
|
| 91 |
+ |
|
| 92 |
+ |
|
| 93 |
+ f4 f g8( a) | f4 f g8( a) | r2. | r2. | |
|
| 94 |
+ f4 f a8( bf) | f4 f f8( g) | r2. | r2. | |
|
| 95 |
+ c4 c d | a4. g8 f4 | r2. | r2. | |
|
| 96 |
+ bf2 \bar "||" g8( a) | g2 \bar "||" d4 | r4 r4 \bar "||" bf8( a) | r4 r4 \bar "||"\break g'8 f | |
|
| 97 |
+ |
|
| 98 |
+ |
|
| 99 |
+ |
|
| 100 |
+ bf4 bf c | g4. f8 g4 | g4 g c | e4. d8 e4 | |
|
| 101 |
+ a4 a f8( a) | f4 f f8( e) | c4 c c | f4 f a, | |
|
| 102 |
+ g4 d e | d4 d4 c8( bf) | bf8([d)] c([ bf)]a([ g)] | bf4 g c | |
|
| 103 |
+ f2 \bar "||" | a2 \bar "||" | f2 \bar "||" | f,2 \bar "||" | |
|
| 104 |
+} |
|
| 105 |
+ |
|
| 106 |
+\score {
|
|
| 107 |
+ \header{
|
|
| 108 |
+ } |
|
| 109 |
+ |
|
| 110 |
+ \new ChoirStaff \with {
|
|
| 111 |
+ \override RestCollision.positioning-done = #merge-rests-on-positioning |
|
| 112 |
+ } << |
|
| 113 |
+ \new Staff = "female" {
|
|
| 114 |
+ \time 3/4 |
|
| 115 |
+ \key f \major |
|
| 116 |
+ \new Voice = "women" << |
|
| 117 |
+ \relative c'' {
|
|
| 118 |
+ {\voiceOne \soprano}
|
|
| 119 |
+ } |
|
| 120 |
+ \new Voice = "altos" {\relative c' { \voiceTwo \alto }}
|
|
| 121 |
+ >> |
|
| 122 |
+ } |
|
| 123 |
+ \new Lyrics {
|
|
| 124 |
+ \lyricsto "women" {
|
|
| 125 |
+ \set stanza = #"1. " |
|
| 126 |
+ A -- way in a man -- ger, No crib for a bed, |
|
| 127 |
+ The lit -- tle Lord Je -- sus Laid down his sweet head. |
|
| 128 |
+ The stars in the bright sky Look'd down where he lay, |
|
| 129 |
+ The little Lord Je -- sus A -- sleep on the hay. |
|
| 130 |
+ } |
|
| 131 |
+ } |
|
| 132 |
+ \new Lyrics {
|
|
| 133 |
+ \lyricsto "women" {
|
|
| 134 |
+ \set stanza = #"2. " |
|
| 135 |
+ The cat -- tle are low -- ing, The ba -- by a -- wakes, |
|
| 136 |
+ But lit -- tle Lord Je -- sus No cry -- ing he makes. |
|
| 137 |
+ I love thee, Lord Je -- sus! Look down from the sky, |
|
| 138 |
+ And stay by my cra -- dle Till morn -- ing is nigh. |
|
| 139 |
+ } |
|
| 140 |
+ } |
|
| 141 |
+ \new Lyrics {
|
|
| 142 |
+ \lyricsto "women" {
|
|
| 143 |
+ \set stanza = #"3. " |
|
| 144 |
+ Be near me, Lord Je -- sus; I ask thee to stay |
|
| 145 |
+ Close by me for -- ev -- er, And love me, I pray. |
|
| 146 |
+ Bless all the dear chil -- dren In thy ten -- der care, |
|
| 147 |
+ And fit us for hea -- ven, To live with thee there. |
|
| 148 |
+ } |
|
| 149 |
+ } |
|
| 150 |
+ \new Staff = "male" {
|
|
| 151 |
+ \time 3/4 |
|
| 152 |
+ \clef bass |
|
| 153 |
+ \key f \major |
|
| 154 |
+ \new Voice = "men" << |
|
| 155 |
+ \relative c'' {
|
|
| 156 |
+ {\voiceOne \tenor}
|
|
| 157 |
+ } |
|
| 158 |
+ \new Voice = "basses" {\relative c' { \voiceTwo \bass }}
|
|
| 159 |
+ >> |
|
| 160 |
+ } |
|
| 161 |
+ >> |
|
| 162 |
+ |
|
| 163 |
+ |
|
| 164 |
+ \layout {
|
|
| 165 |
+ indent = 0.0\cm |
|
| 166 |
+ \context {
|
|
| 167 |
+ \Lyrics |
|
| 168 |
+ \override LyricText #'font-size = #-2 |
|
| 169 |
+ } |
|
| 170 |
+ } |
|
| 171 |
+ \midi { }
|
|
| 172 |
+} |
|
| 173 |
+ |
|
| 174 |
+\version "2.18.2" % necessary for upgrading to future LilyPond versions. |
| 0 | 175 |
new file mode 100644 |
| ... | ... |
@@ -0,0 +1,183 @@ |
| 1 |
+\begin{paracol}{2}
|
|
| 2 |
+ %\RaggedRight{}
|
|
| 3 |
+ |
|
| 4 |
+ \priest{%
|
|
| 5 |
+ My dear friends, you have come together in this Church so that the Lord may |
|
| 6 |
+ seal and strengthen your love in the presence of the Church’s minister and this |
|
| 7 |
+ community. Christ abundantly blesses this love. He has already consecrated you |
|
| 8 |
+ in Baptism and now he enriches and strengthens you by a special sacrament so |
|
| 9 |
+ that you may assume the duties of marriage in mutual and lasting fidelity. And |
|
| 10 |
+ so, in the presence of the Church, I ask you to state your intentions. |
|
| 11 |
+ } |
|
| 12 |
+ \switchcolumn{}
|
|
| 13 |
+ |
|
| 14 |
+ \begin{spanish}
|
|
| 15 |
+ Queridos amigos, ustedes han venido a esta Iglesia para que el Señor selle y |
|
| 16 |
+ fortalezca su amor en presencia del ministro de la Iglesia y de esta |
|
| 17 |
+ comunidad. Cristo bendice abundantemente este amor. El los ha consagrado a |
|
| 18 |
+ ustedes en el bautismo y ahora los enriquece y los fortalece por medio de un |
|
| 19 |
+ sacramento especial para que ustedes asuman las responsabilidades del |
|
| 20 |
+ matrimonio en fidelidad mutua y perdurable. Así, en la presencia de la |
|
| 21 |
+ Iglesia, les pido que digan sus intenciones |
|
| 22 |
+ \end{spanish}
|
|
| 23 |
+ \switchcolumn* |
|
| 24 |
+ |
|
| 25 |
+ \priest{\textsc{José Miguel} and \textsc{Mary Dolores}, have you come here freely and
|
|
| 26 |
+ without reservation to give yourselves to each other in marriage?} |
|
| 27 |
+ \switchcolumn{}
|
|
| 28 |
+ |
|
| 29 |
+ \begin{spanish}
|
|
| 30 |
+ \priest{\textsc{José Miguel} y \textsc{Mary Dolores}, han venido aquí libremente
|
|
| 31 |
+ sin reservas para darse uno al otro en matrimonio?} |
|
| 32 |
+ \end{spanish}
|
|
| 33 |
+ \switchcolumn*{}
|
|
| 34 |
+ |
|
| 35 |
+ |
|
| 36 |
+ \priest{Will you love and honor each other as man and wife for the rest of your lives?}
|
|
| 37 |
+ \switchcolumn{}
|
|
| 38 |
+ |
|
| 39 |
+ \begin{spanish}
|
|
| 40 |
+ \priest{¿Se amarán y se honrarán uno al otro como marido y mujer por el resto de sus vidas?}
|
|
| 41 |
+ \end{spanish}
|
|
| 42 |
+ \switchcolumn*{}
|
|
| 43 |
+ |
|
| 44 |
+ \priest{Will you accept children lovingly from God, and bring them up according to the
|
|
| 45 |
+ law of Christ and His Church?} |
|
| 46 |
+ \switchcolumn{}
|
|
| 47 |
+ |
|
| 48 |
+ \begin{spanish}
|
|
| 49 |
+ \priest{¿Aceptarán a los hijos que Dios les manda y los educarán de acuerdo con la
|
|
| 50 |
+ ley de Cristo y de su Iglesia?} |
|
| 51 |
+ \end{spanish}
|
|
| 52 |
+ \switchcolumn*{}
|
|
| 53 |
+ |
|
| 54 |
+\end{paracol}
|
|
| 55 |
+ |
|
| 56 |
+\Needspace{5\baselineskip}
|
|
| 57 |
+\subsubsection*{The Exchange of Vows}
|
|
| 58 |
+ |
|
| 59 |
+\begin{paracol}{2}
|
|
| 60 |
+ \priest{Since it is your intention to enter into marriage, join your right hands, and
|
|
| 61 |
+ declare your consent before God and his Church.} |
|
| 62 |
+ \switchcolumn{}
|
|
| 63 |
+ |
|
| 64 |
+ \begin{spanish}
|
|
| 65 |
+ \priest{Como es su intención entrar en el matrimonio, unan sus manos derechas, y declaren su consentimiento ante Dios y ante la Iglesia.}
|
|
| 66 |
+ \end{spanish}
|
|
| 67 |
+ \switchcolumn* |
|
| 68 |
+\end{paracol}
|
|
| 69 |
+ \bigskip |
|
| 70 |
+\begin{paracol}{2}
|
|
| 71 |
+ |
|
| 72 |
+ I, \textsc{José Miguel}, take you, \textsc{Mary Dolores} to be my wife. I
|
|
| 73 |
+ promise to be true to you in good times and in bad, in sickness and in health. |
|
| 74 |
+ I will love you and honor you all the days of my life. |
|
| 75 |
+ \switchcolumn{}
|
|
| 76 |
+ |
|
| 77 |
+ \begin{spanish}
|
|
| 78 |
+ Yo, \textsc{José Miguel}, te tomo a ti, \textsc{Mary Dolores}, como mi esposa. Prometo serte
|
|
| 79 |
+ fiel en lo próspero y en lo adverso, en la salud y en la enfermedad. Amarte |
|
| 80 |
+ y respetarte todos los días de mi vida. |
|
| 81 |
+ \end{spanish}
|
|
| 82 |
+ \switchcolumn*{}
|
|
| 83 |
+ |
|
| 84 |
+\end{paracol}
|
|
| 85 |
+ \bigskip |
|
| 86 |
+\begin{paracol}{2}
|
|
| 87 |
+ |
|
| 88 |
+ I, \textsc{Mary Dolores}, take you, \textsc{José Miguel} to be my husband. I
|
|
| 89 |
+ promise to be true to you in good times and in bad, in sickness and in health. |
|
| 90 |
+ I will love you and honor you all the days of my life. |
|
| 91 |
+ \switchcolumn{}
|
|
| 92 |
+ |
|
| 93 |
+ \begin{spanish}
|
|
| 94 |
+ Yo, \textsc{Mary Dolores}, te tomo a ti, \textsc{José Miguel}, como mi esposo. Prometo serte
|
|
| 95 |
+ fiel en lo próspero y en lo adverso, en la salud y en la enfermedad. Amarte |
|
| 96 |
+ y respetarte todos los días de mi vida. |
|
| 97 |
+ \end{spanish}
|
|
| 98 |
+ \switchcolumn*{}
|
|
| 99 |
+ |
|
| 100 |
+\end{paracol}
|
|
| 101 |
+ \bigskip |
|
| 102 |
+ \Needspace{11\baselineskip}
|
|
| 103 |
+\begin{paracol}{2}
|
|
| 104 |
+ |
|
| 105 |
+ \amenResponse{%
|
|
| 106 |
+ You have declared your consent before the Church. May the Lord in his |
|
| 107 |
+ goodness strengthen your consent and fill you both with his blessings. |
|
| 108 |
+ What God has joined, men must not divide. |
|
| 109 |
+ } |
|
| 110 |
+ \switchcolumn{}
|
|
| 111 |
+ |
|
| 112 |
+ \begin{spanish}
|
|
| 113 |
+ \amenResponse{%
|
|
| 114 |
+ Ustedes han declarado su consentimiento ante la Iglesia. Que el Señor en |
|
| 115 |
+ su bondad fortalezca su consentimiento para llenarlos a ambos de |
|
| 116 |
+ bendiciones. Lo que Dios ha unido, el hombre no debe separarlo. |
|
| 117 |
+ } |
|
| 118 |
+ \end{spanish}
|
|
| 119 |
+ \switchcolumn*{}
|
|
| 120 |
+ |
|
| 121 |
+\end{paracol}
|
|
| 122 |
+ |
|
| 123 |
+\Needspace{5\baselineskip}
|
|
| 124 |
+\subsubsection*{The Blessing and Exchange of Rings}
|
|
| 125 |
+ |
|
| 126 |
+\begin{paracol}{2}
|
|
| 127 |
+ \amenResponse{%
|
|
| 128 |
+ Lord, bless these rings, which we bless in your name. Grant that those who |
|
| 129 |
+ wear them may always have a deep faith in each other. May they do your |
|
| 130 |
+ will and always live together in peace, good will, and love. We ask this |
|
| 131 |
+ through Christ our Lord. |
|
| 132 |
+ } |
|
| 133 |
+ \switchcolumn{}
|
|
| 134 |
+ |
|
| 135 |
+ \begin{spanish}
|
|
| 136 |
+ \amenResponse{%
|
|
| 137 |
+ Señor, bendice estos anillos que nosotros bendecimos en tu nombre. |
|
| 138 |
+ Concede a los que los usen |
|
| 139 |
+ que siempre tenga fe profunda del uno al otro. |
|
| 140 |
+ Que hagan tu voluntad |
|
| 141 |
+ y siempre vivan unidos |
|
| 142 |
+ en paz, buena voluntad y amor. |
|
| 143 |
+ Te lo pedimos por Cristo Nuestro Señor. |
|
| 144 |
+ } |
|
| 145 |
+ \end{spanish}
|
|
| 146 |
+ \switchcolumn*{}
|
|
| 147 |
+ |
|
| 148 |
+ \posture{The bridegroom places his wife's ring on her ring finger.}
|
|
| 149 |
+ \switchcolumn{}
|
|
| 150 |
+ |
|
| 151 |
+ \textspanish{\posture{%
|
|
| 152 |
+ El novio pone el anillo a la novia en su dedo anular. |
|
| 153 |
+ }} |
|
| 154 |
+ \switchcolumn*{}
|
|
| 155 |
+ |
|
| 156 |
+ \ensurevspace{7\baselineskip}
|
|
| 157 |
+ \textsc{Mary Dolores}, take this ring as a sign of my love and fidelity. In the
|
|
| 158 |
+ name of the Father, and of the Son, and of the Holy Spirit. |
|
| 159 |
+ \switchcolumn{}
|
|
| 160 |
+ |
|
| 161 |
+ \begin{spanish}
|
|
| 162 |
+ Mary Dolores, recibe este anillo como signo de mi amor y de mi fidelidad. |
|
| 163 |
+ En el nombre del Padre, y del Hijo, y del Espíritu Santo. |
|
| 164 |
+ \end{spanish}
|
|
| 165 |
+ \switchcolumn*{}
|
|
| 166 |
+ \posture{The bride places her husband's ring on his ring finger.}
|
|
| 167 |
+ \switchcolumn{}
|
|
| 168 |
+ |
|
| 169 |
+ \textspanish{\posture{%
|
|
| 170 |
+ La novia coloca el anillo en el dedo anular de su esposo. |
|
| 171 |
+ }} |
|
| 172 |
+ \switchcolumn*{}
|
|
| 173 |
+ |
|
| 174 |
+ \textsc{José Miguel}, take this ring as a sign of my love and fidelity. In
|
|
| 175 |
+ the name of the Father, and of the Son, and of the Holy Spirit. |
|
| 176 |
+ \switchcolumn{}
|
|
| 177 |
+ |
|
| 178 |
+ \begin{spanish}
|
|
| 179 |
+ \textsc{José Miguel}, Acepta este anillo como signo de mi amor y de mi fidelidad. En
|
|
| 180 |
+ el nombre del padre, y del Hijo, y del Espíritu Santo. |
|
| 181 |
+ \end{spanish}
|
|
| 182 |
+ \switchcolumn*{}
|
|
| 183 |
+\end{paracol}
|